{"title":"Bartolomeo Bassante","description":"\u003cstyle\u003e\n  .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n  .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 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var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n  @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n  \u003csection class=\"rr-hero\" style=\"--rr-watermark:'BARTOLOMEO BASSANTE'\"\u003e\n    \u003cdiv class=\"rr-wrap\"\u003e\n      \u003cdiv class=\"rr-hero-grid\"\u003e\n        \u003cdiv\u003e\n          \u003cp class=\"rr-eyebrow\"\u003eBrindisi -Napoli, 1618 civarında - 1650 civarında · Napoliten natüralizmi\u003c\/p\u003e\n          \u003ch2\u003eBartolomeo Bassante\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n          \u003cp class=\"rr-lead\"\u003eTuval üzerine yağlıboya olarak elle çoğaltılan Bartolomeo Bassante'yi keşfedin.\u003c\/p\u003e\n          \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eReprodüksiyonlara bakın\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#bartolomeo-bassante-guide\"\u003eBir eser seçin\u003c\/a\u003e\n\u003c\/div\u003e\n        \u003c\/div\u003e\n        \u003cfigure class=\"rr-art\"\u003e\n          \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/adoration-bergers-bartolomeo-bassante-q59480665.webp?v=1784354943\" alt=\"Çobanların Hayranlığı - Bartolomeo Bassante\" loading=\"lazy\"\u003e\n          \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eBartolomeo Bassante'nin dünyası\u003c\/strong\u003eÇobanlar, çocuklar ve gece lambası, uzun süredir Bassante adıyla imzalanan, ancak bugün Antonio de Bellis'e atfedilen bir İsa'nın Doğuşu'nu oluşturuyor.\u003c\/figcaption\u003e\n        \u003c\/figure\u003e\n      \u003c\/div\u003e\n      \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1618 civarında - 1650 civarında\u003c\/strong\u003e\u003cspan\u003eNapoli'de kısa bir hayat\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1650 civarında\u003c\/strong\u003e\u003cspan\u003eFlört Çobanların Hayranlığı\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e99×131 cm\u003c\/strong\u003e\u003cspan\u003eTuvalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e400 °C\u003c\/strong\u003e\u003cspan\u003eOluşturulan resimler ve çizimler - genel tahmin\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\n  \u003cdiv class=\"rr-benefits\"\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eEl boyalı\u003c\/b\u003e\u003cspan\u003eGerçek yağlı boya, baskı yok.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eSeçtiğiniz formatlar\u003c\/b\u003e\u003cspan\u003eSipariş edilen boyutlara uyarlanmış bir kompozisyon.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eGöndermeden önce panonuzu inceleyin.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eGöndermeden önce ayarlamalar isteyin.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eBrindisi -Napoli, 1618 civarında - 1650 civarında · Napoliten natüralizmi\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eÇobanlar, çocuklar ve gece lambası, uzun süredir Bassante adıyla imzalanan, ancak bugün Antonio de Bellis'e atfedilen bir İsa'nın Doğuşu'nu oluşturuyor.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eBartolomeo Bassante muhtemelen 1618 civarında Brindisi'de doğdu ve 1650 civarında Napoli'de öldü. Güney başkentine çocukken gelen, kaynaklar tarafından José de Ribera'nın öğrencisi ve taklitçisi olarak tanımlanıyor.Kariyeri yeterince belgelenmemiş durumda ve kesin olarak çok az resim kurulabiliyor.Bu koleksiyondaki Çobanların Hayranlığı, sol alt köşede Bassante adına bir imza taşıyor.Ancak son araştırmalar, 18. yüzyıldan kalma uydurma bir ekleme olarak kabul ediyor ve mevcut Prado kataloğu, muhtemelen Agostino Beltrano'ya yakın bir sanatçının işbirliğiyle eseri Antonio de Bellis'e atfediyor.1650 civarında yağlıboya olarak boyanmıştır tuval, 99 × 131 cm ölçülerindedir.Çocuktan gelen ışık grubu düzenler ve Napoli'ye özgü bir natüralist kayıtta yüzleri ortaya çıkarır.Castiglione'den Bassante'ye, oradan da De Bellis'e giden resmin tarihi, bir imzanın ve eski bir geleneğin üslup analiziyle nasıl karşılaştırılması gerektiğini gösterir. \"Bartolomeo Bassante\" seçkisi, özellikle Çobanların Hayranlığı'nı karşılaştırarak kompozisyonu tercih ediyor.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eBurada imza soruşturmanın sonu değil: Napoliten ışığı Bassante'den Antonio de Bellis'e doğru gidiyor.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eKurs ve stil\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eYolculuk, konular ve resimsel dil\u003c\/h2\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1628 civarında\u003c\/time\u003e\u003ch3\u003eNapoli'ye varış\u003c\/h3\u003e\n\u003cp\u003eGenç Bassante, Ribera ve Caravaggesk natüralizminin hakim olduğu bir ortama katılıyor. Bu dönüm noktası, kompozisyonu tercih ederek \"Bartolomeo Bassante\" koleksiyonuna ışık tutuyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1650 civarında\u003c\/time\u003e\u003ch3\u003eİmzalı bir Hayranlık\u003c\/h3\u003e\n\u003cp\u003eTuval, çobanları ve Kutsal Aileyi merkezi bir ışık kaynağı etrafında bir araya getiriyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003eSon çalışmalar\u003c\/time\u003e\u003ch3\u003eBassante'den ziyade Bellis'ten\u003c\/h3\u003e\n\u003cp\u003eMevcut eleştiri imzayı uydurma olarak değerlendiriyor ve atıfları revize ediyor.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003eNapoliten gecesi\u003c\/h3\u003e\n\u003cp\u003eFigürler karanlık ve dar bir alandan derece derece ortaya çıkıyor. Bu satır, kompozisyon merkezli \"Bartolomeo Bassante\" okumasına rehberlik ediyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003ePopüler yüzler\u003c\/h3\u003e\n\u003cp\u003eÇobanlar gözlemlenen modellerin sertliğini ve dikkatini korur.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eKutsal ışık\u003c\/h3\u003e\n\u003cp\u003eÇocuk hem hikayenin merkezi hem de ışıklandırma prensibi haline gelir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eAçık ilişkilendirme\u003c\/h3\u003e\n\u003cp\u003eTablo, De Bellis'in tarihsel olarak Bassante adıyla bağlantılı eseri olarak okunmalıdır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eEvrene göre keşfedin\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eBir İsa'nın Doğuşu ve onun atfedilmesi\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eÇocuğun Işığı, Çobanlar, sahte imza ve kraliyet koleksiyonu, hikayesi kadar görüntüyü de anlatıyor.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eÇocuk\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eAydınlık şömine\u003c\/h3\u003e\n\u003cp\u003eKutsal ışık yenidoğanın etrafındaki yüzleri bir araya getirir.\u003c\/p\u003e\n\u003cb\u003eKompozisyon için. \"Bartolomeo Bassante\" nin kompozisyonla okunması.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eÇobanlar\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eMucize karşısında doğallık\u003c\/h3\u003e\n\u003cp\u003ePopüler figürler Adoration'a Napoliten gerçeğini veriyor.\u003c\/p\u003e\n\u003cb\u003eDuygu için\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eİmza\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eSorun haline gelen kanıt\u003c\/h3\u003e\n\u003cp\u003eBassante'nin adındaki yazıt artık 18. yüzyıldan kalma bir ekleme olarak kabul ediliyor.\u003c\/p\u003e\n\u003cb\u003eSoruşturma için\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eBellis'ten\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eMevcut atıf\u003c\/h3\u003e\n\u003cp\u003ePrado, olası bir işbirliğiyle tabloyu Antonio de Bellis'e bağlar.\u003c\/p\u003e\n\u003cb\u003eHassasiyet için\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eRevize edilmiş atıf\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eÇobanların Hayranlığı\u003c\/h3\u003e\n\u003cp\u003eBassante imzası uydurma olarak kabul ediliyor; Prado artık tabloyu Antonio de Bellis'e atfediyor.\u003c\/p\u003e\n\u003cb\u003eBartolomeo Bassante'nin dönüm noktası niteliğindeki çalışması\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eStil\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eNapoliten gecesi\u003c\/h3\u003e\n\u003cp\u003eFigürler karanlık ve dar bir alandan derece derece ortaya çıkıyor. Bu satır, kompozisyon merkezli \"Bartolomeo Bassante\" okumasına rehberlik ediyor.\u003c\/p\u003e\n\u003cb\u003eBartolomeo Bassante için okuma anahtarı\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eKeşfetmek için çalışır\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eEskiden Bassante'ye verilen Çobanların Hayranlığı\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eBugün Antonio de Bellis'e atfedilen ancak Bassante'nin adının kritik kaderini anlamak için gerekli olan bir çalışma.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"1\"\u003e\u003ca class=\"rr-work\" href=\"\/products\/adoration-bergers-bartolomeo-bassante-128\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/adoration-bergers-bartolomeo-bassante-q59480665.webp?v=1784354943\" alt=\"Çobanların Hayranlığı - Bartolomeo Bassante\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eRevize edilmiş atıf\u003c\/small\u003e\u003ch3\u003eÇobanların Hayranlığı\u003c\/h3\u003e\n\u003cspan\u003eBassante imzası uydurma olarak kabul ediliyor; Prado artık tabloyu Antonio de Bellis'e atfediyor.\u003c\/span\u003e\u003cstrong\u003eBkz. çoğaltma →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eYöntemimiz\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eBoyalı bir reprodüksiyon, izlenim değil\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eHer tablo, uzman bir sanatçı tarafından tuval üzerine yağlıboya olarak yapılır ve gönderilmeden önce sizinle birlikte kontrol edilir.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eİşten iç mekanınıza\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eİş seçimi\u003c\/b\u003e\u003cspan\u003eDuvarınıza uyarlanmış konu, yönelim ve boyutlar.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eBitmiş masayı incelersin.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRötuş\u003c\/b\u003e\u003cspan\u003eGöndermeden önce ayarlamalar mümkün olmaya devam eder.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eHer çoğaltma benzersizdir.\u003c\/strong\u003e Dokunma ve malzemenin hafif varyasyonları ressamın el emeğine tanıklık eder.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" id=\"bartolomeo-bassante-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eAkıllıca seçin\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eBartolomeo Bassante ile bağlantılı bu reprodüksiyonu seçin\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOrta yatay bir format çobanların çemberini koruyacaktır Napoliten gececisine karanlık veya eski bir altın ortam eşlik edecektir.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Bartolomeo Bassante\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eKriterlerimiz\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eSalon\u003c\/b\u003eKompozisyona bir bakışla \"Çobanların Hayranlığı\" nı odak noktası olarak kurun.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOfis\u003c\/b\u003e\"Bartolomeo Bassante'nin evreni\" ile bağlantılı bir çerçeve veya ayrıntı seçin.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBiçimlendir\u003c\/b\u003eSeçilen eserin oranlarını Bartolomeo Bassante koleksiyonunda saklayın.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePaleti\u003c\/b\u003eParçayı Bartolomeo Bassante'ye özgü tonlarla eşleştirin.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBitirmek\u003c\/b\u003eTuval üzerine yağlıboya, Napoliten gece efektlerini öne çıkarıyor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eÇerçeve\u003c\/b\u003eBartolomeo Bassante'nin atmosferine bağlı olarak ahşap, siyah veya altın rengi seçin.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eBartolomeo Bassante'nizi seçmeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eReprodüksiyonlar yağlı boya ile mi boyanıyor?\u003c\/summary\u003e\u003cp\u003eEvet.her reprodüksiyon baskı olmadan tuval üzerine yağlıboya elle boyanmıştır.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eBartolomeo Bassante'nin reprodüksiyonunda kompozisyon nasıl restore edilir?\u003c\/summary\u003e\u003cp\u003eRessam, Bartolomeo Bassante koleksiyonundan seçilen eserde görünen kompozisyonu, değerleri, renkleri ve malzemeleri kompozisyona özellikle dikkat ederek kullanıyor.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eBartolomeo Bassante'nin bir eserini kişiselleştirilmiş formatta sipariş edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Boyutlar seçilen işin oranlarına ve dengesine göre uyarlanmıştır.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eBartolomeo Bassante'nin çoğaltılmasını nasıl doğrularım?\u003c\/summary\u003e\u003cp\u003eAyrıntılı fotoğraflar gönderilmeden önce gönderilir; göndermeden önce düzenleme talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eBartolomeo Bassante'yi keşfedin\u003c\/h3\u003e\n\u003cp\u003eBartolomeo Bassante'nin bir eserini seçin ve özellikle iç mekanınız için yaratılmış bir yağlıboya tablo alın.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eTüm reprodüksiyonları gör\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"adoration-bergers-bartolomeo-bassante-128","title":"L'Adoration des bergers - Bartolomeo Bassante","description":"\u003cdiv class=\"ar-artwork-description\" style=\"font-family:Arial,Helvetica,sans-serif;color:#667c9f;line-height:1.8;font-size:18px;max-width:900px;\"\u003e\n\u003ch2 style=\"margin:0 0 24px;color:#092b63;font-size:34px;line-height:1.2;font-weight:500;\"\u003eL'Adoration des bergers, par Bartolomeo Bassante\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003eCette reproduction de tableau reprend « L'Adoration des bergers », une œuvre de Bartolomeo Bassante. Il s’agit d’une peinture à l’huile sur toile entièrement peinte à la main par un artiste expérimenté. Réalisé sur commande, ce tableau adapte avec soin la composition, les détails et les harmonies colorées de l’œuvre originale.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 24px;\"\u003eLa date exacte de cette version de l’œuvre originale n’est pas publiée dans la notice consultée. Elle est réalisée à l’huile sur un support dont la nature exacte n’est pas publiée dans la notice consultée. Ses dimensions fiables ne sont pas publiées dans la notice consultée. Sa localisation actuelle n’est pas publiée dans la notice consultée. Son numéro d’inventaire n’est pas publié dans la notice consultée.\u003c\/p\u003e\n\u003cp style=\"margin:0 0 30px;\"\u003eChaque reproduction de tableau est une création artisanale unique : ce n’est ni une impression numérique ni un poster sur toile. Une photo vous est envoyée pour validation avant l’expédition.\u003c\/p\u003e\n\u003cdiv style=\"background:#fff4ed;border-left:5px solid #ff7417;border-radius:0 22px 22px 0;padding:20px 24px;color:#092b63;font-weight:700;line-height:1.55;\"\u003eVotre tableau est réalisé en 14 jours, puis livré sous environ 5 jours après son expédition.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Bartolomeo Bassante","offers":[{"title":"Format Découverte (50 × 60 cm)","offer_id":48066730000610,"sku":"BARTOLOMEO-BASSANTE-ADORATION-BERGERS","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/adoration-bergers-bartolomeo-bassante-q59480665.webp?v=1784354943"}],"url":"https:\/\/tr.alphareproduction.com\/collections\/bartolomeo-bassante-2.oembed","provider":"Alpha Reproduction","version":"1.0","type":"link"}