{"title":"Millet'den sonra Van Gogh","description":"\u003cstyle\u003e\n  .ar-collection{--rr-ink:#171411;--rr-muted:#6d665f;--rr-paper:#f5f0e8;--rr-paper2:#e9dfd3;--rr-white:#fffdf8;--rr-red:#7f5136;--rr-red2:#4c3325;--rr-gold:#b58a4b;--rr-blue:#405965;--rr-line:rgba(23,20,17,.14);color:var(--rr-ink);background:var(--rr-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n  .ar-collection *{box-sizing:border-box}.ar-collection img{display:block;width:100%;max-width:100%;height:auto}.ar-collection a{color:inherit;text-decoration:none}.rr-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.rr-section{padding:90px 0}.rr-eyebrow{margin:0 0 12px;color:var(--rr-red2);font-size:12px;font-weight:800;letter-spacing:.16em;text-transform:uppercase}.rr-title{max-width:850px;margin:0;font-family:Georgia,'Times New Roman',serif;font-size:clamp(40px,6vw,72px);font-weight:400;letter-spacing:-.045em;line-height:.98}.rr-intro{max-width:750px;margin:20px 0 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var(--rr-line)}.rr-intro-grid,.rr-journey,.rr-method-grid,.rr-faq{gap:42px}}\n  @media(max-width:620px){.rr-wrap{width:calc(100% - 28px)}.rr-section{padding:66px 0}.rr-hero{padding:48px 0 36px}.rr-hero h2{font-size:60px}.rr-art{padding-left:0}.rr-art img{min-height:290px}.rr-caption{right:0}.rr-cards,.rr-gallery,.rr-signatures,.rr-steps{grid-template-columns:1fr}.rr-card{min-height:310px}.rr-method-panel,.rr-guide-box{padding:25px}.rr-benefit{padding:20px 15px}.rr-stat{padding:15px}.rr-work img{height:260px}.rr-final{padding:46px 22px}}\n.rr-gallery[data-count=\"1\"]{grid-template-columns:1fr}.rr-gallery[data-count=\"1\"] .rr-work img{height:min(72vw,620px);object-fit:contain}.rr-gallery[data-count=\"2\"]{grid-template-columns:repeat(2,1fr)}.rr-gallery[data-count=\"3\"]{grid-template-columns:repeat(3,1fr)}\n\u003c\/style\u003e\n\n\n\u003cdiv class=\"ar-collection\"\u003e\n  \u003csection class=\"rr-hero\" style=\"--rr-watermark:'VAN GOGH D’APRÈS MILLET'\"\u003e\n    \u003cdiv class=\"rr-wrap\"\u003e\n      \u003cdiv class=\"rr-hero-grid\"\u003e\n        \u003cdiv\u003e\n          \u003cp class=\"rr-eyebrow\"\u003e1889 -1890 · renkli çeviri ve çalışma belleği\u003c\/p\u003e\n          \u003ch2\u003eMillet'den sonra Van Gogh\u003cem\u003e\u003c\/em\u003e\n\u003c\/h2\u003e\n          \u003cp class=\"rr-lead\"\u003eTuval üzerine yağlıboya olarak elle üretilen Millet'den sonra Van Gogh'u keşfedin.\u003c\/p\u003e\n          \u003cdiv class=\"rr-actions\"\u003e\n\u003ca class=\"rr-button\" href=\"#ResultsList\"\u003eReprodüksiyonlara bakın\u003c\/a\u003e\u003ca class=\"rr-button\" href=\"#van-gogh-d-apres-millet-guide\"\u003eBir eser seçin\u003c\/a\u003e\n\u003c\/div\u003e\n        \u003c\/div\u003e\n        \u003cfigure class=\"rr-art\"\u003e\n          \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/le-semeur-d-apres-millet-vincent-van-gogh-image-1-reproduction-huile.jpg?v=1784003724\" alt=\"Darıdan Sonra Ekici, Vincent van Gogh\" loading=\"lazy\"\u003e\n          \u003cfigcaption class=\"rr-caption\"\u003e\u003cstrong\u003eMillet'den sonra Van Gogh'un evreni\u003c\/strong\u003eSaint-Rémy'de Van Gogh, Millet'i kölece kopyayı aramadan geri alır: ilk adımlar, ekici, orakçı ve günün sonu hayran olduğu görüntülerin renkli çevirileri haline gelir.\u003c\/figcaption\u003e\n        \u003c\/figure\u003e\n      \u003c\/div\u003e\n      \u003cdiv class=\"rr-stats\"\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e1889 - 1890\u003c\/strong\u003e\u003cspan\u003eSaint-Rémy'deki başlıca diziler\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003eGravürler\u003c\/strong\u003e\u003cspan\u003eGenellikle kullanılan ara kaynaklar\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003eÇeviri\u003c\/strong\u003e\u003cspan\u003eYöntemi için ilgili terim\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-stat\"\u003e\n\u003cstrong\u003e°2.100\u003c\/strong\u003e\u003cspan\u003eVan Gogh tarafından yaratılan eserler - genel tahmin\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/section\u003e\n\n  \u003cdiv class=\"rr-benefits\"\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eEl boyalı\u003c\/b\u003e\u003cspan\u003eGerçek yağlı boya, baskı yok.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eSeçtiğiniz formatlar\u003c\/b\u003e\u003cspan\u003eSipariş edilen boyutlara uyarlanmış bir kompozisyon.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eGöndermeden önce panonuzu inceleyin.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"rr-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eGöndermeden önce ayarlamalar isteyin.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap rr-intro-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003e1889 -1890 · renkli çeviri ve çalışma belleği\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eSaint-Rémy'de Van Gogh, Millet'i kölece kopyayı aramadan geri alır: ilk adımlar, ekici, orakçı ve günün sonu hayran olduğu görüntülerin renkli çevirileri haline gelir.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-drop\"\u003eSaint-Rémy tımarhanesinde kaldığı süre boyunca Van Gogh, genellikle Jean-François Millet'yi yeniden üreten gravürlerden çalıştı.Bu uygulamayı bir partisyonun yorumlanmasına benzetiyor: motif başka bir sanatçıdan geliyor, ama renk ve dokunuş yeni bir idamı oluşturuyor İlk adımlar bir aile sahnesini, çocuk ile açık kollar arasındaki mesafenin konu haline geldiği bir maviler, sarılar ve yeşiller ağına dönüştürüyor.Eğer tarımsal jesti a düzenli nabız.Reaper, çalışmayı ve ölüm metaforunu birleştirir, ancak canlılığı bastırmayan bir güneşin altında. Akşam, günün sonu gece aralığında çifti, aletleri ve dinlenmeyi bir araya getirir. Bu örtüler buna tanıklık ediyor hem hayranlık, hem öğrenme hem de sanatsal süreklilik. \"Darıdan Sonra Van Gogh\" seçkisi, özellikle Darı ve Sower'dan sonra İlk Adımlar'ı, (Darıdan Sonra) karşılaştırıyor. Okuması materyali destekliyor.\u003c\/p\u003e\n\u003cblockquote class=\"rr-quote\"\u003eVan Gogh Millet'i yeniden üretmiyor: Figürlerini basılı çizim dilinden yaşanmış bir renk diline taşıyor.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-dark\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eKurs ve stil\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eYolculuk, konular ve resimsel dil\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eSaint-Rémy tımarhanesinde kaldığı süre boyunca Van Gogh, genellikle Jean-François Millet'yi yeniden üreten gravürlerden çalıştı.Bu uygulamayı bir partisyonun yorumlanmasına benzetiyor: motif başka bir sanatçıdan geliyor, ama renk ve dokunuş yeni bir idamı oluşturuyor İlk adımlar bir aile sahnesini, çocuk ile açık kollar arasındaki mesafenin konu haline geldiği bir maviler, sarılar ve yeşiller ağına dönüştürüyor.Eğer tarımsal jesti a düzenli nabız.Reaper, çalışmayı ve ölüm metaforunu birleştirir, ancak canlılığı bastırmayan bir güneşin altında. Akşam, günün sonu gece aralığında çifti, aletleri ve dinlenmeyi bir araya getirir. Bu örtüler buna tanıklık ediyor hem hayranlık, hem öğrenme hem de sanatsal süreklilik.\u003c\/p\u003e\n\u003cdiv class=\"rr-journey\"\u003e\n\u003cdiv class=\"rr-timeline\"\u003e\n\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1880 - 1885\u003c\/time\u003e\u003ch3\u003eDarı'ya hayran\u003c\/h3\u003e\n\u003cp\u003eVan Gogh ressamda kırsal saygınlığın bir modelini görür.Bu kilometre taşı malzemeyi kayırarak \"Darıdan Sonra Van Gogh\" koleksiyonuna ışık tutar.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1889\u003c\/time\u003e\u003ch3\u003eAlanlarda çalışmaya devam edin\u003c\/h3\u003e\n\u003cp\u003eEkici ve orakçı Saint-Rémy renginde gelir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-time\"\u003e\u003ctime\u003e1890\u003c\/time\u003e\u003ch3\u003eİnsan döngüsünü genişletin\u003c\/h3\u003e\n\u003cp\u003eİlk adımlar ve akşam dinlenmesi aile, yaş ve işi birleştirir.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-signatures\"\u003e\n\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e01\u003c\/i\u003e\u003ch3\u003eKontur yeniden başladı\u003c\/h3\u003e\n\u003cp\u003eGravür, rengin dönüştüğü bir yapı sağlar.Bu çizgi, malzeme merkezli \"Darıdan Sonra Van Gogh\" okumasına rehberlik eder.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e02\u003c\/i\u003e\u003ch3\u003eMavi ve sarı\u003c\/h3\u003e\n\u003cp\u003eTamamlayıcılar siyah beyaz değerlerin yerini alır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e03\u003c\/i\u003e\u003ch3\u003eTarımsal jest\u003c\/h3\u003e\n\u003cp\u003eEkim veya biçme vücuda okunabilir bir tempo kazandırır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"rr-signature\"\u003e\u003ci\u003e04\u003c\/i\u003e\u003ch3\u003eAktif güneş\u003c\/h3\u003e\n\u003cp\u003eYıldız sadece dekordan ziyade işin anlamına katılır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-themes\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eEvrene göre keşfedin\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eDört çeviriyi karşılaştırın\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eAile, tohum, hasat ve dinlenme Van Gogh'un aynı ahlaki kaynağı nasıl yenilediğini gösteriyor.\u003c\/p\u003e\n\u003cdiv class=\"rr-cards\"\u003e\n\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eİlk adımlar\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eMesafe ölçün\u003c\/h3\u003e\n\u003cp\u003eÇocuk iki yetişkini beklenen hareketle birbirine bağlar.\u003c\/p\u003e\n\u003cb\u003eAile için. Materyal üzerinden \"Darıdan sonra Van Gogh\" okunması.\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eEkici\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eRitmi yayın\u003c\/h3\u003e\n\u003cp\u003eJest bir zaman ve mekan birimi haline gelir.\u003c\/p\u003e\n\u003cb\u003eDöngü için\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eReaper\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eGüneşin altında kes\u003c\/h3\u003e\n\u003cp\u003eİş, hasat ve ölüm oranı örtüşüyor.\u003c\/p\u003e\n\u003cb\u003eMetafor için\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eAkşam\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e04\u003c\/span\u003e\u003ch3\u003eGünü bitir\u003c\/h3\u003e\n\u003cp\u003eAletler ve tork dinlenmeye şekil verir.\u003c\/p\u003e\n\u003cb\u003eSüresi için\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eİlk adımlar beklemeyi renge dönüştürür\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e05\u003c\/span\u003e\u003ch3\u003eMillet'e göre ilk adımlar\u003c\/h3\u003e\n\u003cp\u003eÇocuk ile açık kollar arasındaki mesafe tüm aile sahnesini yapılandırır.\u003c\/p\u003e\n\u003cb\u003eVan Gogh'un Millet'den sonraki dönüm noktası çalışması\u003c\/b\u003e\u003c\/article\u003e\u003carticle class=\"rr-card\"\u003e\u003cspan class=\"rr-card-tag\"\u003eEkici tarlaya bir ritim belirler\u003c\/span\u003e\u003cspan class=\"rr-card-index\"\u003e06\u003c\/span\u003e\u003ch3\u003eEkici, (Darıdan sonra)\u003c\/h3\u003e\n\u003cp\u003eHareket, oluklar ve renk, çalışmayı bir döngüye dönüştürür.\u003c\/p\u003e\n\u003cb\u003eVan Gogh'un Millet'den sonraki dönüm noktası çalışması\u003c\/b\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\"\u003e\u003cdiv class=\"rr-wrap\"\u003e\n\u003cp class=\"rr-eyebrow\"\u003eKeşfetmek için çalışır\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eMillet'den sonra Van Gogh'un dört eseri\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eSeçki İlk Adımlar, Ekici, Reaper ve Akşam: Günün Sonu'nu bir araya getiriyor.\u003c\/p\u003e\n\u003cdiv class=\"rr-gallery\" data-count=\"4\"\u003e\n\u003ca class=\"rr-work\" href=\"\/products\/premiers-pas-apres-millet-vincent-van\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/premiers-pas-d-apres-millet-vincent-van-gogh-image-1-tableau-peint.webp?v=1781299594\" alt=\"İlk adımlar, Millet'den sonra - Vincent van Gogh resim 1 kopya elle yağlı boya ile boyanmıştır\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eİlk adımlar beklemeyi renge dönüştürür\u003c\/small\u003e\u003ch3\u003eMillet'e göre ilk adımlar\u003c\/h3\u003e\n\u003cspan\u003eÇocuk ile açık kollar arasındaki mesafe tüm aile sahnesini yapılandırır.\u003c\/span\u003e\u003cstrong\u003eBkz. çoğaltma →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/semeur-apres-millet-vincent-van-gogh-2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/semeur-le-d-apres-millet-vincent-van-gogh-image-1-reproduction-huile.webp?v=1781377309\" alt=\"Sower, The (Darıdan sonra) - Vincent van Gogh resmi 1 elle boyanmış resim kopyası\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eEkici tarlaya bir ritim belirler\u003c\/small\u003e\u003ch3\u003eEkici, (Darıdan sonra)\u003c\/h3\u003e\n\u003cspan\u003eHareket, oluklar ve renk, çalışmayı bir döngüye dönüştürür.\u003c\/span\u003e\u003cstrong\u003eBkz. çoğaltma →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/faucheur-apres-millet-vincent-van-gogh\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/le-faucheur-d-apres-millet-vincent-van-gogh-image-1-reproduction-peinture.webp?v=1781442087\" alt=\"Reaper (Darıdan sonra) - Vincent van Gogh resmi 1 kopya elle yağlıboya boyalı\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eReaper hasat ve ölümlülüğü birleştirir\u003c\/small\u003e\u003ch3\u003eReaper (Darıdan sonra)\u003c\/h3\u003e\n\u003cspan\u003eYoğun güneş, Van Gogh'un metafor olarak da okuduğu bir görüntünün kalbinde canlılığı koruyor.\u003c\/span\u003e\u003cstrong\u003eBkz. çoğaltma →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003ca class=\"rr-work\" href=\"\/products\/soir-fin-journee-apres-millet-vincent\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/soir-la-fin-de-journee-apres-millet-vincent-van-gogh-image-1_3c39a867-2d95-48db-aef0-c1277bed19a5.webp?v=1781295198\" alt=\"Akşam: Günün sonu (Darıdan sonra) - Vincent van Gogh resmi 1 adet elle boyanmış resim kopyası\" loading=\"lazy\"\u003e\u003cdiv class=\"rr-work-copy\"\u003e\n\u003csmall\u003eAkşam dinlenmeyi bir sonuç haline getirir\u003c\/small\u003e\u003ch3\u003eAkşam: Günün sonu (Darıdan sonra)\u003c\/h3\u003e\n\u003cspan\u003eÇift, aletler ve gece, işin ağırlığını kaldırmadan günü kapatır.\u003c\/span\u003e\u003cstrong\u003eBkz. çoğaltma →\u003c\/strong\u003e\n\u003c\/div\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section rr-method\"\u003e\u003cdiv class=\"rr-wrap rr-method-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eYöntemimiz\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eBoyalı bir reprodüksiyon, izlenim değil\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eHer resim, uzman bir sanatçı tarafından tuval üzerine yağlıboya olarak yapılır, daha sonra göndermeden önce sizinle kontrol edilir.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-method-panel\"\u003e\n\u003ch3\u003eİşten iç mekanınıza\u003c\/h3\u003e\n\u003cdiv class=\"rr-steps\"\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eİş seçimi\u003c\/b\u003e\u003cspan\u003eDuvarınıza uyarlanmış konu, yönelim ve boyutlar.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eBitmiş masayı incelersin.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eRötuş\u003c\/b\u003e\u003cspan\u003eGöndermeden önce ayarlamalar mümkün olmaya devam eder.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"rr-method-note\"\u003e\u003cstrong\u003eHer çoğaltma benzersizdir.\u003c\/strong\u003e Dokunma ve malzemenin hafif varyasyonları ressamın el emeğine tanıklık eder.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" id=\"van-gogh-d-apres-millet-guide\"\u003e\u003cdiv class=\"rr-wrap rr-guide\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eAkıllıca seçin\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eMillet'den sonra bir reprodüksiyon seçin\u003c\/h2\u003e\n\u003cp class=\"rr-intro\"\u003eOrta formatlar, genellikle yatay Doğal veya kahverengi ahşap çerçeve; mavi-sarı kontrastları nötr ışıkta tutun.\u003c\/p\u003e\n\u003cdiv class=\"rr-palette\" aria-label=\"Palette inspirée de Van Gogh d’après Millet\"\u003e\n\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"rr-guide-box\"\u003e\u003ch3\u003eKriterlerimiz\u003c\/h3\u003e\n\u003cul class=\"rr-guide-list\"\u003e\n\u003cli\u003e\n\u003cb\u003eSalon\u003c\/b\u003eMalzemeye bir bakışla \"Darıya göre ilk adımlar\" ı odak noktası olarak kurun.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOfis\u003c\/b\u003e\"Sower, The (Darıdan sonra)\" ile bağlantılı bir çerçeve veya ayrıntı seçin.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBiçim\u003c\/b\u003eVan Gogh koleksiyonundan seçilen eserin oranlarını Millet'den sonra saklayın.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePaleti\u003c\/b\u003eParçayı Millet'den sonra Van Gogh'un kendi tonlarıyla eşleştirin.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBitirmek\u003c\/b\u003eTuval üzerine yağlıboya, alınan kontur efektlerini vurgular.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eÇerçeve\u003c\/b\u003eDarıdan sonra Van Gogh'un atmosferine göre ahşap, siyah veya altın rengi tercih edin.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"rr-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"rr-wrap rr-faq\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"rr-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"rr-title\"\u003eMillet'den sonra Van Gogh'unuzu seçmeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rr-faq-list\"\u003e\n\u003cdetails open=\"\"\u003e\u003csummary\u003eReprodüksiyonlar yağlı boya ile mi boyanıyor?\u003c\/summary\u003e\u003cp\u003eEvet.her reprodüksiyon baskı olmadan tuval üzerine yağlıboya elle boyanmıştır.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eDarıdan sonra Van Gogh'un bir reprodüksiyonundaki materyal nasıl restore edilir?\u003c\/summary\u003e\u003cp\u003eRessam, seçilen eserde görünen kompozisyonu, değerleri, renkleri ve malzemeleri Millet'den sonra Van Gogh koleksiyonundan, malzemeye özellikle dikkat ederek ele alır.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eMillet'e dayalı bir Van Gogh eserini özel formatta sipariş edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Boyutlar seçilen işin oranlarına ve dengesine göre uyarlanmıştır.\u003c\/p\u003e\u003c\/details\u003e\u003cdetails\u003e\u003csummary\u003eMillet'den sonra Van Gogh'un yeniden üretimini nasıl doğrularım?\u003c\/summary\u003e\u003cp\u003eAyrıntılı fotoğraflar gönderilmeden önce gönderilir; göndermeden önce düzenleme talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"rr-final\"\u003e\u003ch3\u003eDarıdan sonra Van Gogh'u keşfedin\u003c\/h3\u003e\n\u003cp\u003eMillet'den sonra Van Gogh'un bir eserini seçin ve özellikle iç mekanınız için yapılmış bir yağlı boya tablo alın.\u003c\/p\u003e\n\u003ca href=\"#ResultsList\"\u003eTüm reprodüksiyonları gör\u003c\/a\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","products":[{"product_id":"tondeur-moutons-apres-millet-vincent-van","title":"Darıdan Sonra Koyun Biçme Makinesi, F634 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Eylül 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eDarıdan Sonra Koyun Biçme Makinesi, F634\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eMavi giyinmiş bir kadın koyunu tutarken ikinci bir figür kırkmaya yardımcı olur; Van Gogh küçük bir gravürü leylakların, sarıların ve mavilerin tamamen siyah ve beyazın yerini aldığı dikey bir sahneye dönüştürür.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tondeuse-moutons-apres-millet-f634-vincent-van-gogh.webp?v=1785258456\u0026amp;format=webp\" alt=\"Darı F634'ten Sonra Koyun Biçme Makinesi, Vincent van Gogh, Van Gogh Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eDarıdan Sonra Koyun Biçme Makinesi, F634\u003c\/strong\u003eVincent van Gogh · Eylül 1889 · Van Gogh Müzesi, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEylül 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e43,6×29,5 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Müzesi, Amsterdam\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eKırsal çalışma renklere dönüştürüldü\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eBiçme makinesi ön planda, yünü alan büyük kabın yakınında kıvrılıyor. Bariyer ve muhafazanın çatısı iki figürün etrafındaki alanı kapatıyor.\u003c\/p\u003e\n\u003cp\u003eAçık mavi, leylak, sarı ve yeşil kıyafetlerde, yünde ve zeminde birbirlerine cevap verir.Koyu konturlar kalın dokunuşa rağmen her hareketin okunabilirliğini korur.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eSaint-Rémy'de staj yapan Van Gogh, kendine olan güvenini yeniden kazanmak ve modelsiz figür üzerinde çalışmaya devam etmek için hayran olduğu eserlerin reprodüksiyonlarını kopyalar.Burada Jean-François Millet'nin bir görüntüsünü renkli olarak özgürce yorumlar.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eEylül 1889'da boyanmış olan 43,6 × 29,5 cm boyutlarındaki tuval, s0042V1962, F634 ve JH1787 referanslarını taşımaktadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eÖdünç alınmış bir kompozisyon, icat edilmiş bir renk\u003c\/h3\u003e\n\u003cp\u003eVan Gogh küçük gravürü oldukça sadık bir şekilde takip ediyor, ancak kendisi leylaktan sarıya kadar bir aralık seçiyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTablonun ortasındaki jest\u003c\/h3\u003e\n\u003cp\u003eEğik iki cisim koyun ve yüne doğru birleşir.Duruşları ek anekdot olmadan çalışmayı açıklamaya yeterlidir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eMuhafaza tarafından kapatılmış bir alan\u003c\/h3\u003e\n\u003cp\u003eBariyer, kirişler ve kabın kenarı, biçmenin fiziksel karakterini vurgulayan sıkı bir yapı oluşturur.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh Müzesi, modelin Millet'nin resimlerinden yeniden üretilen on adet Sahanın Eseri baskı serisine ait olduğunu belirtiyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eMillet'den sonra bir gravür\u003c\/h3\u003e\n\u003cp\u003eVan Gogh orijinal tablonun önünde çalışmıyor: Travaux des champs serisinden küçük bir monokrom baskıyı resme dönüştürüyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eRenk\u003c\/span\u003e\u003ch3\u003eLila renginden sarıya\u003c\/h3\u003e\n\u003cp\u003eTheo'ya yazdığı bir mektupta sanatçının kendisi bu yorum için seçilen renkli skalayı anlatıyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYöntem\u003c\/span\u003e\u003ch3\u003eFigürün modelsiz boyanması\u003c\/h3\u003e\n\u003cp\u003eBu kopyalar, yaşayan bir modelin bulunmadığı bir dönemde insan figürünü gözden kaçırmamasına olanak tanıyor.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0042V1962\" target=\"_blank\" rel=\"noopener\"\u003eVan Gogh Müzesi'nin resmi duyurusuna bakın →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, iki figürün duruşuna, yünün açık kütlesine ve mavi, leylak ve sarı arasındaki kontrasta, konturları sertleştirmeden saygı göstermelidir.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eKavisli mavi siluet\u003c\/li\u003e\n\u003cli\u003eMerkezdeki koyunlar\u003c\/li\u003e\n\u003cli\u003eKabın üstündeki yün\u003c\/li\u003e\n\u003cli\u003eİkincisi sarı şapkada görünüyor\u003c\/li\u003e\n\u003cli\u003eMuhafazanın karanlık çiti\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eDarıdan Sonra Koyun Biçme Makinesi, F634\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEylül 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e43,6×29,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi s0042V1962 · F634 · JH1787\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eDikey ve parlak bir köylü sahnesi\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDikey format bir giriş, bir masa veya iki açıklık arasında uygundur.Azure mavi, saman sarısı, leylak ve toprak kahverengi maç doğal ahşap.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Tondeuse de moutons d’après Millet, F634\"\u003e\n\u003ci style=\"background:#739bb2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d2bb67\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8d8096\"\u003e\u003c\/i\u003e\u003ci style=\"background:#80664c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b8b29a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eKırsal sahneye orta ahşap, gri mavi veya mat bronz çerçeve eşlik ediyor Yumuşak ışık, yün ve giyim arasındaki ayrımı koruyor.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eVan Gogh Müzesi'nin resmi görüntüsü 4.481 × 6.734 px olarak ölçüldü; yapay büyütme olmadan gerçek WebP'de 1.996 × 3.000 px'e düşürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eDarıdan Sonra Koyun Kesme Makinesi, F634, iç mekanınız için boyanmıştır\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (75 x 50 cm)","offer_id":46594913140962,"sku":"LE_TONDEUR_DE_MOUTONS_D_APR_S_MILLET__75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/tondeuse-moutons-apres-millet-f634-vincent-van-gogh.webp?v=1785258456"},{"product_id":"soir-apres-millet-vincent-van-gogh","title":"Millet'den Sonraki Akşam, F647 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Ekim -Kasım 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eDarıdan Sonraki Akşam, F647\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eKocası sepet işlerken köylü bir kadın bir lambanın ışığında işleri onarır; Çocuk ateşin yanında uyuyor ve kedi, Millet'nin ardından mor ve huzurlu bir yorumla uyuyakalıyor.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/soir-apres-millet-f647-vincent-van-gogh.webp?v=1785257879\u0026amp;format=webp\" alt=\"Darıdan Sonraki Akşam F647, Vincent van Gogh, Van Gogh Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eDarıdan Sonraki Akşam, F647\u003c\/strong\u003eVincent van Gogh · Ekim - Kasım 1889 · Van Gogh Müzesi, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEkim-kasım 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e74,2×93 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Müzesi, Amsterdam\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eAkşamın sakinliğinde bir aile toplandı\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eErkek soldaki sepetçiliğinin üzerine eğilir, kadın beşiğin yakınında oturur ve asılı lamba merkezi aydınlatır. Her hareket odanın dar alanında kalır.\u003c\/p\u003e\n\u003cp\u003eAteş, lamba ve pencere birkaç ışık odağı oluşturur Morlar, maviler, griler ve kahverengiler duvarları, mobilyaları ve figürleri yumuşak bir karanlıkta birleştirir.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eTheo, Van Gogh'a Millet'nin eserlerini yeniden üreten baskılar gönderir.Sanatçı, Saint-Rémy'de bu görüntüyü renge \"çevirir\" ve ev içi dinginliği ifade etmek için sakin bir leylak rengi ve menekşe aralığı kullanır.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh Müzesi bu büyük tuvali s0174V1962 altında listelemektedir.74.2 × 93 cm ölçülerindedir ve F647\/JH1834 referanslarını taşımaktadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eAynı odada üç ışık\u003c\/h3\u003e\n\u003cp\u003eLamba, şömine ve pencere alanı eşit şekilde aydınlatmadan düzenler. Karanlık alanlar atmosferi samimi tutar.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eHer şekil için bir aktivite\u003c\/h3\u003e\n\u003cp\u003eSepetçilik, dikiş dikmek ve uyumak, muhteşem jestler olmadan iş, bakım ve dinlenme arasında bir denge yaratır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eSakinliğin rengi kadar mor\u003c\/h3\u003e\n\u003cp\u003eMaviler ve leylak rengi figürleri sararken, lambanın ve ateşin toprak boyaları yalnızca birkaç sıcak vurgu getiriyor.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eResmi duyuruda aile, uyuyan çocuk ve kedi tam olarak anlatılıyor ve tek renkli baskılardan renkli resimlere geçiş anlatılıyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKaynak\u003c\/span\u003e\u003ch3\u003eMillet'den sonraki bir baskı\u003c\/h3\u003e\n\u003cp\u003eVan Gogh, Millet'e derinden hayrandır ve Theo'dan alınan reprodüksiyonları kompozisyon modeli olarak kullanır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eHareketler\u003c\/span\u003e\u003ch3\u003eDüzeltme ve örgü\u003c\/h3\u003e\n\u003cp\u003eKadın bir parça giysiyi tamir ederken, adam hasır bir sepet üzerinde çalışıyor, idealleştirmeden gösterilen iki günlük aktivite.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAtmosfer\u003c\/span\u003e\u003ch3\u003eUyuyan çocuk ve kedi\u003c\/h3\u003e\n\u003cp\u003eBu sessiz mevcudiyetler, mor aralığın ürettiği güvenlik ve dinlenme hissini güçlendirir.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0174V1962\" target=\"_blank\" rel=\"noopener\"\u003eVan Gogh Müzesi'nin resmi duyurusuna bakın →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, beşiği, kediyi veya sepetçiliği kaybedecek kadar kararmadan, soluk ışığı, farklı figürleri ve incelikli morları korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eMerkezdeki asılı lamba\u003c\/li\u003e\n\u003cli\u003eSepetinin üzerine eğilmiş adam\u003c\/li\u003e\n\u003cli\u003eBeşiğin yakınındaki kadın\u003c\/li\u003e\n\u003cli\u003eŞöminenin önündeki kedi\u003c\/li\u003e\n\u003cli\u003eZeminin mavi gölgeleri\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eDarıdan Sonraki Akşam, F647\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEkim-kasım 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e74,2×93 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi s0174V1962 · F647 · JH1834\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eMavi ve mor renkte samimi bir gece sahnesi\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eYatay format bir yemek odası, kitaplık veya yatak odası için uygundur.füme mor, barut mavisi, toprak kahverengi ve lamba koyu sarı maç koyu ahşap.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Soir d’après Millet, F647\"\u003e\n\u003ci style=\"background:#625c70\"\u003e\u003c\/i\u003e\u003ci style=\"background:#485b70\"\u003e\u003c\/i\u003e\u003ci style=\"background:#725245\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a68b63\"\u003e\u003c\/i\u003e\u003ci style=\"background:#34363c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eKoyu ceviz, bronz veya gece mavisi bir çerçeve karanlığa eşlik eder.Sıcak fakat orta ışık morları ezmeden detayları ortaya çıkarır.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eVan Gogh Müzesi görüntüsü 7.075 × 5.611 px olarak ölçüldü; 3.000 × 2.379 px'e düşürüldü ve gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLe Soir d'après Millet, F647, iç mekanınız için boyanmış\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594913992930,"sku":"SOIR_APR_S_MILLET__50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/soir-apres-millet-f647-vincent-van-gogh.webp?v=1785257879"},{"product_id":"bucheron-apres-millet-vincent-van-gogh","title":"Millet'den Sonra Oduncu, F670 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Eylül 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eMillet'den sonraki Oduncu, F670\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBir oduncu baltasını mavi-yeşil bir açıklıkta bir kütüğün önüne kaldırır; çok dar format, hareketini Millet'den sonra serbestçe yorumlanan uzun bir dikey formata dönüştürür.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bucheron-millet-f670-vincent-van-gogh.webp?v=1785257388\u0026amp;format=webp\" alt=\"Millet F670'den Sonra Oduncu, Vincent van Gogh, Van Gogh Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'den sonraki Oduncu, F670\u003c\/strong\u003eVincent van Gogh · Eylül 1889 · Van Gogh Müzesi, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEylül 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e44×26,2 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Müzesi, Amsterdam\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmış, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBalta dar bir açıklıkta kaldırıldı\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eİşçi tuvalin merkezini işgal ediyor, bir bacağı kütüğün yakınında ilerledi. Yükseltilmiş kolu ve aletin sapı bakışları üst kenara yönlendiriyor.\u003c\/p\u003e\n\u003cp\u003eÇalılıkların ince gövdeleri ve turkuaz dokunuşları silueti çevreliyor. Yerde kesilmiş dallar, talaşlar ve aşı boyası yolları sahneye net bir ufuk olmadan derinlik kazandırıyor.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eBu tablo Millet'nin Tarlaların Eserleri'ni yeniden üreten küçük ahşap gravürlerden yapılan yorumlar grubuna aittir.Van Gogh bunları bir müzisyenin var olan bir eserden yapacağı renkli düzenlemeye benzetmiştir.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh Müzesi Le Bûcheron'u s0170V1962 envanteri altında muhafaza etmektedir.F670\/JH1886 referansları ve 44 × 26,2 cm boyutları bu versiyonu ayırt etmeyi mümkün kılmaktadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eHareketi güçlendiren bir format\u003c\/h3\u003e\n\u003cp\u003eTuval genişliğinin neredeyse iki katı boyundadır.Vücut, yükseltilmiş kol ve gövdeler kenarlara kadar bu dikeylikten yararlanır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eBir dizi yeşilimsi mavi\u003c\/h3\u003e\n\u003cp\u003eŞekil, ağaçlar ve açıklık komşu tonları paylaşır.Daha koyu konturlar ve koyu sarı vurgular şekilleri ayırmak için yeterlidir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eBir darbe noktası olarak gerilim\u003c\/h3\u003e\n\u003cp\u003eİşçinin sağına yerleştirilen hafif kütük, baltadan gelen tüm enerjiyi görsel olarak alır ve alt kısmı stabilize eder.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eMüze, Van Gogh'un Jean-François Millet'den sonra aynı küçük gravür serisinden alınan on konuyu kısa sürede resmettiğini belirtiyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYorumlama\u003c\/span\u003e\u003ch3\u003eTek renkliden renge\u003c\/h3\u003e\n\u003cp\u003eGravür şekillere rehberlik eder, ancak turkuaz, açık mavi ve sarı-yeşil aralığı Van Gogh tarafından tasarlanmıştır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYöntem\u003c\/span\u003e\u003ch3\u003eKulluk olmadan sadakat\u003c\/h3\u003e\n\u003cp\u003eSon tabloyu otonom çok renkli bir yorum olarak değerlendirirken küçük görüntüyü dikkatle ele alıyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKatalog\u003c\/span\u003e\u003ch3\u003eF670 ve JH1886\u003c\/h3\u003e\n\u003cp\u003eBu sayılar, diğer orman sahneleri ve Saint-Rémy'de boyanmış birkaç işçi figürü ile karıştırılmayı önler.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0170V1962\" target=\"_blank\" rel=\"noopener\"\u003eVan Gogh Müzesi'nin resmi duyurusuna bakın →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, kütüğü, zemini ve arka planı karıştırmadan baltanın dikey momentumunu, figürün mavi dış hatlarını ve ahşabın turkuaz tonlarını korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eKol başın üzerinde yükseltildi\u003c\/li\u003e\n\u003cli\u003eBaltanın karanlık sapı\u003c\/li\u003e\n\u003cli\u003eSağdaki hafif kütük\u003c\/li\u003e\n\u003cli\u003eÇalılığın turkuaz gövdeleri\u003c\/li\u003e\n\u003cli\u003eToprak aşı boyası yere dokunuyor\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'den sonraki Oduncu, F670\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEylül 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e44×26,2 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi s0170V1962 · F670 · JH1886\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eGüçlü bir jestle mavi-yeşil bir dikey\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eÇok ince format bir giriş, bir oyuk veya dar bir duvar için uygundur.turkuaz, gri mavi, adaçayı yeşili ve açık aşı boyası sarı ahşap ve doğal tekstil maç.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Bûcheron d’après Millet, F670\"\u003e\n\u003ci style=\"background:#78a5a1\"\u003e\u003c\/i\u003e\u003ci style=\"background:#66869a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#92a37e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b9a779\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5f6e67\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eAçık meşe, koyu yeşil veya mat bronz çerçeve, çalılıkların tonlarını uzatır. Yan ışık, zeminin kabartmasını ve merkezi silueti ortaya çıkarır.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eVan Gogh Müzesi görüntüsü 3.980 × 6.885 px olarak ölçüldü; 1.734 × 3.000 px'e düşürüldü ve gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMillet'den sonraki Oduncu, F670, iç mekanınız için boyanmıştır\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyaması · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 85 cm)","offer_id":46594914877666,"sku":"LE_B_CHERON_D_APR_S_MILLET__50x85","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bucheron-millet-f670-vincent-van-gogh.webp?v=1785257388"},{"product_id":"batteuse-apres-millet-vincent-van-gogh","title":"Millet'den sonraki Davulcu, F692 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Eylül 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eMillet'den sonraki Davulcu, F692\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBir ahırda duran bir köylü, yere dökülen tahıllara çarpmadan önce dövenini kaldırır; Van Gogh hareketin gücünü mavi, sarı ve yeşil dikeylerden oluşan bir ağda yoğunlaştırıyor.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/batteur-millet-f692-vincent-van-gogh.webp?v=1785256759\u0026amp;format=webp\" alt=\"Millet F692'den sonraki Davulcu, Vincent van Gogh, Van Gogh Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'den sonraki Davulcu, F692\u003c\/strong\u003eVincent van Gogh · Eylül 1889 · Van Gogh Müzesi, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEylül 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e42×28 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Müzesi, Amsterdam\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBela şoktan önce askıya alındı\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eDavulcu neredeyse tam olarak merkezde duruyor. Yayılmış bacakları vücudu stabilize ederken, kolları ve sallamanın sapı tuvalin tepesine kadar uzun bir çapraz çiziyor.\u003c\/p\u003e\n\u003cp\u003eAhır çerçevesi arkasında sert bir dikdörtgen oluşturur. Dışarıda mavi bir gökyüzü ve bir merdiven derinlik katıyor; yerde sarı kasnaklar hareketin yönünü takip ediyor.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh burada Travaux des champs'a ait Jean-François Millet'den sonra bir gravürü transpoze eder. Modelin çok okunabilir hareketini korur, sonra renk ve malzeme yoluyla ona yeni enerji verir.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh Müzesi tuvali s0171V1962 altında listeliyor.42 × 28 cm formatı ve F692\/JH1784 referansları net bir şekilde tanımlanmasına izin veriyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eHer şeyi harekete geçiren bir köşegen\u003c\/h3\u003e\n\u003cp\u003eKova sapı alt gövdeyi üst kirişe bağlar.Alet kolları uzatıyor ve işçinin hareketini genişletiyor gibi görünüyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eSeyirciye bakan vücut\u003c\/h3\u003e\n\u003cp\u003eÖn duruş silueti hemen anlaşılır kılar Mavi-yeşil giysiler sarı saman ve ışık duvarlarına karşı öne çıkar.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eÇerçeve olarak mimari\u003c\/h3\u003e\n\u003cp\u003eDirekler, lento ve ahır açıklığı aksiyonun etrafında sabit bir yapı oluşturur.Hareket böylece daha da enerjik görünür.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eResmi bildirim, bu tabloyu Millet'den sonraki kopya döngüsüne bağlıyor ve bu da Van Gogh'un Saint-Rémy'de model olmadan çalışırken figürü incelemesine olanak tanıyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAracı\u003c\/span\u003e\u003ch3\u003eBir belayla dövün\u003c\/h3\u003e\n\u003cp\u003eKümes hayvanı, tekrarlanan darbelerle taneleri kulaklardan ayırmaya yarar; seçilen an tam olarak çarpışmadan önce gelir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKaynak\u003c\/span\u003e\u003ch3\u003eSiyah beyaz bir baskı\u003c\/h3\u003e\n\u003cp\u003eVan Gogh, gravür tekniğini tam anlamıyla taklit etmeye çalışmadan, basılı görüntüyü renkli bir tabloya dönüştürüyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eDetay\u003c\/span\u003e\u003ch3\u003eAçılışta bir merdiven\u003c\/h3\u003e\n\u003cp\u003eSolda görünen küçük merdiven derinliğe katkıda bulunur ve ahırın birçok düz çizgisine yanıt verir.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0171V1962\" target=\"_blank\" rel=\"noopener\"\u003eVan Gogh Müzesi'nin resmi duyurusuna bakın →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, dış hatları yumuşatmadan, sallamanın gerginliğini, figürün ön cephesini, giysinin mavi-yeşilini ve samandan ayrılan sarıları korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eBela çapraz olarak yükseldi\u003c\/li\u003e\n\u003cli\u003eKollar başın üstünde\u003c\/li\u003e\n\u003cli\u003eMavi yeşil kıyafetler\u003c\/li\u003e\n\u003cli\u003eYerdeki sarı demetler\u003c\/li\u003e\n\u003cli\u003eAhırın dikdörtgeni\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'den sonraki Davulcu, F692\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEylül 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e42×28 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi s0171V1962 · F692 · JH1784\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eEnerji dolu dikey bir figür\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDar format çağdaş bir rustik mutfak, ofis veya iç mekan için uygundur. Arduvaz mavisi, saman sarısı, gri yeşil ve sarı ahşap meşe ve siyah metal ile etkileşime girer.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Batteur d’après Millet, F692\"\u003e\n\u003ci style=\"background:#567385\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b99d4f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#71806b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b6a77e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#5a5241\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eMeşe, koyu yeşil veya mat bronz bir çerçeve ahırın tonlarını uzatır Yumuşak yan ışık saman ve giysinin kalın dokunuşlarını ortaya çıkarır.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eVan Gogh Müzesi referans görüntüsü 4.700 × 7.554 px olarak ölçüldü; 1.867 × 3.000 px'e düşürüldü ve gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMillet'den sonraki Davulcu, F692, iç mekanınız için boyanmıştır\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (75 x 50 cm)","offer_id":46594915434722,"sku":"LA_BATTEUSE_D_APR_S_MILLET__75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/batteur-millet-f692-vincent-van-gogh.webp?v=1785256759"},{"product_id":"botteleur-vincent-van-gogh","title":"Millet'den Sonra Çizme Boyu, F693 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Eylül 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eMillet'den sonra Bootler, F693\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eDiz çökmüş bir işçi, neredeyse tamamı değirmen taşlarıyla dolu bir tarlanın ortasında bir çelenke sarılıyor; Van Gogh, Millet'den sonra bir gravürü sarı, yeşil ve mavinin sessiz bir uyumuna dönüştürüyor.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/botteleur-millet-f693-vincent-van-gogh.webp?v=1785256756\u0026amp;format=webp\" alt=\"Millet F693'ten sonraki Botteleur, Vincent van Gogh, Van Gogh Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'den sonra Bootler, F693\u003c\/strong\u003eVincent van Gogh · Eylül 1889 · Van Gogh Müzesi, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEylül 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e44,5×33,1 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Müzesi, Amsterdam\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmış, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eHasatın göbeğinde toplanmış bir figür\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eKicker ön planda çömelir, başı aşağı ve kolları bir çelenk etrafında uzanmış Açık mavi gömleği ve gri yeşil pantolonu, tarlanın sarılarında kompakt bir siluet keser.\u003c\/p\u003e\n\u003cp\u003eİki büyük değirmen taşı arka planı işgal eder ve gökyüzünü çok ince bir şeride doğru iter.Kavisli ve kalın dokunuşlar bakışları kulaklar, demetler ve vücudun hareketi arasında dolaştırır.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eSaint-Paul-de-Mausole tımarhanesinde Van Gogh, normal modellerin olmamasına rağmen figürleri boyamaya devam etmek istedi.Darıdan sonraki baskılar ona renk yoluyla özgürce yeniden yorumladığı sağlam kompozisyonlar sunuyor.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh Müzesi duyurusu bu tabloyu s0173V1962 envanteri, F693\/JH1785 referansları ve 44,5 × 33,1 cm boyutlarıyla tanımlar.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eNeredeyse silinmiş bir ufuk\u003c\/h3\u003e\n\u003cp\u003eDeğirmen taşları üst kenara yükselir ve gökyüzünü dar mavi bir nefese indirir.Tüm dikkatler tarlanın malzemesinde kalır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eCeset bir daire içine yazılmıştır\u003c\/h3\u003e\n\u003cp\u003eSırt, kollar ve bacaklar demet etrafında toplanan bir ilmek oluşturur.Bu yapı, detayları çoğaltmadan eforun okunabilir olmasını sağlar.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eRenk modellemenin yerini alır\u003c\/h3\u003e\n\u003cp\u003eMavi, yeşil ve mor giysileri ve gölgeleri ayırırken, komşu sarılar saman, ışık ve kabartmayı aynı anda tanımlar.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eBu eser Saint-Rémy'de Van Gogh tarafından incelenen Millet'nin Tarlalardaki Eserleri adlı basılı serisine dayanan yorum grubunun bir parçasıdır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eYaşayan bir modelden ziyade bir gravür\u003c\/h3\u003e\n\u003cp\u003eKlinik figürleri gerçekleştirmek için çok az fırsat sunuyordu; Van Gogh siyah beyaz bir üremeye güveniyordu.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYorumlama\u003c\/span\u003e\u003ch3\u003eBuluş olarak renk\u003c\/h3\u003e\n\u003cp\u003eGenel tasarım Millet'i takip ediyor, ancak mavi-sarı aralığı ve anahtar ağı tamamen Van Gogh'a ait.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKonu\u003c\/span\u003e\u003ch3\u003eDemetleri bağlayın\u003c\/h3\u003e\n\u003cp\u003eİşçi, kesilen tahılları depolamadan önce toplayıp sıkıyor; düşük duruşu sahnenin enerjisini yoğunlaştırıyor.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0173V1962\" target=\"_blank\" rel=\"noopener\"\u003eVan Gogh Müzesi'nin resmi duyurusuna bakın →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, balya makinesinin dairesel duruşuna, demetlerin sarıları ile giysinin yeşilimsi mavileri arasındaki farka ve ayrıca tarlanın kalın dokunuşlarına saygı duymalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eBaş şapkanın altına eğildi\u003c\/li\u003e\n\u003cli\u003eAçık mavi gömlek\u003c\/li\u003e\n\u003cli\u003eDemeti sıkan kollar\u003c\/li\u003e\n\u003cli\u003eİki büyük değirmen taşı\u003c\/li\u003e\n\u003cli\u003eMavi gökyüzünün ince şeridi\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'den sonra Bootler, F693\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEylül 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e44,5×33,1 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi s0173V1962 · F693 · JH1785\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eBoğuk sarı ve mavilerle bir hasat\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDikey format bir yemek odası, ofis veya ülke içi için uygundur. Hasır sarısı, gri mavi, zeytin yeşili ve kahverengi toprak doğal liflerle eşleşir.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Botteleur d’après Millet, F693\"\u003e\n\u003ci style=\"background:#b7a25d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7f956e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8498ad\"\u003e\u003c\/i\u003e\u003ci style=\"background:#806c48\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c7ba7c\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eKırsal alana doğal meşe, koyu zeytin yeşili veya patinalı bronz çerçeve eşlik ediyor. Nötr ışık, kompozisyonu daha fazla sarartmadan kabartmayı ortaya çıkarıyor.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eVan Gogh Müzesi referans görüntüsü 5.360 × 7.275 px olarak ölçüldü; 2.210 × 3.000 px'e düşürüldü ve gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMillet'den sonraki Botteleur, F693, iç mekanınız için boyanmıştır\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyaması · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (75 x 50 cm)","offer_id":46594915729634,"sku":"LE_BOTTELEUR_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/botteleur-millet-f693-vincent-van-gogh.webp?v=1785256756"},{"product_id":"semeur-apres-millet-vincent-van-gogh","title":"Darıdan Sonra Ekici, F689 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\" data-artist-watermark=\"VAN GOGH\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Ocak 1890 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eDarıdan Sonra Ekici, F689\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eEğimli bir alanda koyu bir siluet ilerliyor, kolu tohumları atmak için uzanıyordu: Van Gogh, Jean-François Millet'den sonra mavi, gri ve koyu sarıya bir baskı yapıyor.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/semeur-millet-f689-vincent-van-gogh.webp?v=1785246710\u0026amp;format=webp\" alt=\"Darıdan Sonra Ekici F689, Vincent van Gogh, Kroeller-Müller Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eDarıdan Sonra Ekici, F689\u003c\/strong\u003eVincent van Gogh · Ocak 1890 · Kroeller-Müller Müzesi, Otterlo\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOcak 1890\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e64×55 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKroeller-Müller Müzesi, Otterlo\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmış, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eMillet'nin Van Gogh diline çevrilmiş bir görüntüsü\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eEkici tuvali çapraz olarak geçer, bir ayağı karıkta sıkıca yerleştirilirken sol kol geniş ekim hareketini tanımlar.Vücudu neredeyse tüm yüksekliği kaplar ve ufku kısmen gizler; arkasında bir araba yüklü ve daha küçük bir karakter, tarımsal iş döngüsünü hatırlatır.\u003c\/p\u003e\n\u003cp\u003eKompozisyon Millet'den sonra bir gravürden geliyor, ancak Van Gogh kölece bir kopya aramıyor. Görüntüyü eğik dokunuşlarla ve bazı pembe ve koyu sarı vurgularla canlandırılan soğuk mavi, yeşil, gri ve mor yelpazesiyle yeniden inşa ediyor.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh için Millet'i işlemek, bir eseri müzik yapan bir müzisyen gibi yorumlamak anlamına gelir: motife saygı duyarken onu yeni malzeme ve yeni renk ilişkileriyle hayata döndürmek.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eMüze, bu seriyi, modellerden mahrum kalan ve çoğu zaman hapsedilen Van Gogh'un Millet'nin reprodüksiyonlarını yaratım ve hafıza egzersizi olarak kullandığı aylara bağlıyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eUzayı aşan bir jest\u003c\/h3\u003e\n\u003cp\u003eUzatılmış kol, ön bacak ve tarlanın kenarı, ekiciye sürekli hareket sağlayan üç köşegen oluşturur.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eAnıtsal bir figür\u003c\/h3\u003e\n\u003cp\u003eEkici alttaki figürlerden çok daha büyük görünür.Yakınlığı ve çerçevelemesi onu tüm kompozisyonun ekseni yapar.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eKasıtlı olarak soğuk bir aralık\u003c\/h3\u003e\n\u003cp\u003eMaviler, gri yeşiller ve morlar Millet'nin karanlık topraklarının yerini alıyor; yükün ve tabanların pembe aşı boyası bazı sıcak noktalar oluşturur.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eKM 110.673 ve F689\/JH1836 referansları, Arles'ta boyanmış Sower at Sunset F422'den farklı olarak Ocak 1890'a ait bu versiyonu tanımlamaktadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eJean-François Millet\u003c\/h3\u003e\n\u003cp\u003eVan Gogh, köylü çalışmalarına verilen saygınlık nedeniyle başlangıcından beri hayran olduğu bir sanatçı olan Millet'nin grafik reprodüksiyonundan çalışıyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYöntem\u003c\/span\u003e\u003ch3\u003eBir renk çevirisi\u003c\/h3\u003e\n\u003cp\u003eKapaklarını müzikal yorumla karşılaştırıyor: İlk görüntü tanınabilir durumda ancak renk ve dokunuş kendisine ait oluyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eBağlam\u003c\/span\u003e\u003ch3\u003eİvmeyi yeniden kazanın\u003c\/h3\u003e\n\u003cp\u003e1889 yazında yaşanan ciddi bir krizin ardından bu kopyalar, konuların ve gezilerin sınırlı olduğu bir dönemde işine dönmesine yardımcı oldu.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.krollermuller.nl\/en\/collection\/vincent-van-gogh-the-sower-after-millet-km-110-673\" target=\"_blank\" rel=\"noopener\"\u003eKroeller-Müller Müzesi'nin resmi duyurusuna bakın →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eÜreme, bu geç ekiciyi ünlü Arles tablosunun sarı versiyonuna dönüştürmeden, sağlam pozu, köşegenler ağını ve paletin soğuk ayıklığını korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eEkim hareketinde sol kol açık\u003c\/li\u003e\n\u003cli\u003eArazinin güçlü köşegeni\u003c\/li\u003e\n\u003cli\u003eŞapkanın altında gölgelenen yüz\u003c\/li\u003e\n\u003cli\u003ePembe araba ve alttaki küçük figürler\u003c\/li\u003e\n\u003cli\u003eGökyüzünün ve tarlanın mavi ve gri dokunuşları\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eDarıdan Sonra Ekici, F689\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eOcak 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e64×55 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Müzesi KM 110.673 · F689 · JH1836\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eKroeller-Müller Müzesi, Otterlo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eMineral uyum içinde güçlü bir köylü figürü\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDikey format bir masa, giriş veya kitaplık için uygundur.Mavi griler, sessiz yeşiller ve toprak boyaları keten, yıpranmış ahşap ve taş renkli duvarlarla eşleşir.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Semeur d’après Millet, F689\"\u003e\n\u003ci style=\"background:#66818a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#486775\"\u003e\u003c\/i\u003e\u003ci style=\"background:#77796f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9c7461\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b3b5a6\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eDumanlı meşe, arduvaz grisi veya gece mavisi çerçeve soğuk aralığı güçlendirir Nötr ışık gökyüzünü sararmadan pembe vurguları ortaya çıkarır.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eKroeller-Müller Müzesi'nin resmi görüntüsü 2.517 × 3.000 px'e düşürüldü ve daha sonra yapay büyütme olmadan gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eDarıdan Sonra Ekici, F689, iç mekanınız için boyanmıştır\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyaması · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594932310242,"sku":"LE_SEMEUR_D_APR_S_MILLET__50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/semeur-millet-f689-vincent-van-gogh.webp?v=1785246710"},{"product_id":"becheurs-vincent-van-gogh","title":"Millet'den Sonra Kazıcılar, F648 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Ekim 1889 · Saint-Rémy-de-Provence\u003c\/p\u003e\n        \u003ch2\u003eMillet'den sonraki Bêcheur'lar, F648\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eİki bükülmüş köylü, soluk mavi bir gökyüzünün altında koyu sarı bir toprak üzerinde dönüyor: Van Gogh, Jean-François Millet'nin bir çizimini renge çeviriyor.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/becheurs-apres-millet-f648-vincent-van-gogh.webp?v=1785243415\u0026amp;format=webp\" alt=\"Vincent van Gogh'un Jean-François Millet F648'den sonraki Bêcheur'lar, Stedelijk Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'den sonraki Bêcheur'lar, F648\u003c\/strong\u003eVincent van Gogh · Ekim 1889 · Stedelijk Müzesi, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEkim 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eYaklaşık 72×93 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine monte edilmiş kağıt üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eStedelijk Müzesi, Amsterdam\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSaint-Rémy'de yeniden yorumlanan araziyi çalıştırmak\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eTımarhanede kaldığı süre boyunca uzun gezilerden mahrum kalan Van Gogh, Theo'nun gönderdiği siyah beyaz reprodüksiyonlardan çalıştı.Burada, başlangıcından beri bildiği bir motif olan Millet'nin İki Kazıcı'sını ele alıyor, ancak manzarayı kendi malzemesi ve kendi rengiyle yeniden inşa ediyor.\u003c\/p\u003e\n\u003cp\u003eİki adam zıt köşegenler oluşturur: biri neredeyse yatay küreğiyle ilerler, diğeri uzun dikey bir sapın üzerinde durur. Alan, gökyüzünün sıkı hareketlerine uzanıyormuş gibi görünen kahverengi, pembe ve mor oluklarla kaplıdır.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh tam bir kopya aramıyor; Millet'i \"başka bir dile\", renk, çizgi ve impasto diline çevirdiğini söyledi.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eKompozisyon, Millet işçilerinin anıtsallığını koruyor ancak toprağı ve atmosferi canlı yüzeylere dönüştürüyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eİki vücut eğik\u003c\/h3\u003e\n\u003cp\u003eSırtlar, kollar ve aletler yeryüzüne doğru aynı çabayı izlerler.Farklı jestleri ise herhangi bir simetriyi önler.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eHareketli bir zemin\u003c\/h3\u003e\n\u003cp\u003eKesekler kavisli ve üst üste bindirilmiş çizgilerden yapılmıştır.Ağaç, kahverengi, pembe ve mor, dünyaya neredeyse sıvı yoğunluğu verir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eRenkli bir çeviri\u003c\/h3\u003e\n\u003cp\u003eVan Gogh renksiz üremeden kıyafetlerin mavisini, saçların sarılarını ve gökyüzünün ışığını icat eder.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF648\/JH1833, Stedelijk Müzesi'nin Millet'den sonra yapılmış büyük versiyonudur ve Detroit'te F701 kütüğünü yırtan iki adamla karıştırılmamalıdır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eJean-François Millet\u003c\/h3\u003e\n\u003cp\u003eVan Gogh, Millet'nin köylü çalışmalarına verdiği saygınlığa hayran kaldı ve 1880 gibi erken bir tarihte Bêcheur'larını inceledi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYöntem\u003c\/span\u003e\u003ch3\u003eBir üremeye göre\u003c\/h3\u003e\n\u003cp\u003eTheo ona Millet'nin gravürlerini ve reprodüksiyonlarını gönderdi; Van Gogh renkli seriyi özgürce icat ederken yapısını korudu.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKoleksiyon\u003c\/span\u003e\u003ch3\u003eBir 411\u003c\/h3\u003e\n\u003cp\u003eEser, Amsterdam'daki Stedelijk Müzesi'nde A 411 envanter numarasıyla saklanıyor.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.stedelijk.nl\/en\/collection\/606-vincent-van-gogh-les-becheurs\" target=\"_blank\" rel=\"noopener\"\u003eStedelijk Müzesi talimatlarına bakın →\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eRessam, malzemeyi yumuşatmadan iki bedenin çabasını, olukların çeşitliliğini ve gökyüzünün titreşimini korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eİki silüet farklı açılarda kıvrılıyordu\u003c\/li\u003e\n\u003cli\u003eSol köylünün neredeyse yatay küreği\u003c\/li\u003e\n\u003cli\u003eDiğer figürün tuttuğu uzun dikey sap\u003c\/li\u003e\n\u003cli\u003eKoyu sarı, pembe ve mor oluklar\u003c\/li\u003e\n\u003cli\u003eGökyüzünü canlandıran küçük ışık dokunuyor\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'den sonraki Bêcheur'lar, F648\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEkim 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine monte edilmiş kağıt üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003eYaklaşık 72×93 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eStedelijk Müzesi A 411 · F648 · JH1833\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eStedelijk Müzesi, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eMaviler ve dünyalarla ciddi bir köylü sahnesi\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eYatay format ve mineral tonları bir ofis, kütüphane veya oturma odası için uygundur.Kahverengi ve maviler ham ahşap, keten ve taş ile iyi gider.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Les Bêcheurs d’après Millet, F648\"\u003e\n\u003ci style=\"background:#92704e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b39069\"\u003e\u003c\/i\u003e\u003ci style=\"background:#657da0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b8bfd0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6e5a53\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eKoyu kahverengi, mavimsi gri veya füme meşe çerçeve oluklara eşlik eder. Basit bir kalıplama, konunun ayıklığına saygı gösterir.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eKamu malı referans görüntüsü 3000 × 2380 px'e düşürüldü ve daha sonra yapay büyütme olmadan WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMillet'den sonra Les Bêcheurs, F648, iç mekanınız için boyanmıştır\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyaması · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594935750882,"sku":"LES_B_CHEURS_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/becheurs-apres-millet-f648-vincent-van-gogh.webp?v=1785243415"},{"product_id":"moissonneur-vincent-van-gogh","title":"Reaper, Millet'den sonra, F688 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Eylül 1889 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eReaper, Millet'den sonra, F688\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eArkadan bakıldığında, bir biçerdöver neredeyse saf mavi bir gökyüzünün altında sarı bir alanda ilerler.Muazzam gövdesi ve tırpanın uzun eğrisi, Millet'den sonra bu küçük tabloya anında fiziksel gerilim verir.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moissonneur-apres-millet-f688-van-gogh-reproduction-peinture-huile.webp?v=1785235047\u0026amp;format=webp\" alt=\"Vincent van Gogh'un Millet F688'den Sonra Reaper'ı - yağlıboya reprodüksiyonu\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eReaper, Millet'den sonra, F688\u003c\/strong\u003eVincent van Gogh · Eylül 1889 · Özel koleksiyon\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEylül 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e43,3×24,3 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eÖzel koleksiyon\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eGökyüzü ile buğday arasında bükülmüş bir beden\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eFigür neredeyse tüm yüksekliği dolduruyor Sarı şapka, açık gömlek ve koyu sarı pantolon gökyüzünün mavisine karşı öne çıkarken, yayılmış bacaklar jeste sağlam bir temel veriyor.\u003c\/p\u003e\n\u003cp\u003eTırpan sağa doğru iner ve alanın sarı çizgileriyle buluşur.Ufukta ikinci bir minik figür ve birkaç demet işçinin arkasındaki boşluğu uzatmaya yeterlidir.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eHasat makinesi manzaranın bir detayı değildir: silueti kompozisyonun ekseni haline gelir ve tırpanın eğrisi çalışmayı sürekli harekete dönüştürür.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003e43,3 × 24,3 cm ölçülerindeki bu tuval üzerine yağlıboya, F688\/JH1783 referanslarını taşıyor.Eylül 1889'da boyanmış, şimdi özel bir koleksiyona ait.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eÇok yakın bir bakış açısı\u003c\/h3\u003e\n\u003cp\u003eVan Gogh figürü küçük formattan zihinsel olarak taşana kadar büyütür.Seyirci neredeyse tarlanın yüksekliğinde, biçerdöverin arkasındadır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTırpan hareketi çizer\u003c\/h3\u003e\n\u003cp\u003eSap ve bıçak omuzların eğimini uzatır.Kavisleri vücudu doğrudan kesilen buğdaya bağlar ve dönme çabasını görünür hale getirir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eSarı ve mavi taşıma alanı\u003c\/h3\u003e\n\u003cp\u003eTarla ve gökyüzü çok net iki bölgeye ayrılmıştır.Bacakları yerin sarı ve yeşillerine demirlenirken, açık siluet mavinin üzerinde görülebilir.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eBiçerdöver F688\/JH1783, Eylül 1889'da Saint-Rémy'de boyanmıştır.43,3 × 24,3 cm ölçülerindedir ve özel bir koleksiyondadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eJean-François Millet'e göre\u003c\/h3\u003e\n\u003cp\u003ePoz, Millet'nin bir kompozisyonunu yeniden üreten bir baskıdan geliyor. Van Gogh konuyu korudu ancak Provence'ın ışığına özgü renkli bir aralık icat etti.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eÇeviri\u003c\/span\u003e\u003ch3\u003eSiyah beyazdan renge geçin\u003c\/h3\u003e\n\u003cp\u003eÖnünde orijinal bir tablo olmayan Van Gogh, kapaklarına bir sanatçı gibi davrandı: Baskının değerlerini sarı, mavi ve yeşil karşıtlıklara dönüştürdü.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eReferans\u003c\/span\u003e\u003ch3\u003eF688, F687'den ayırt edilmelidir\u003c\/h3\u003e\n\u003cp\u003eBu versiyon işçiyi tırpanıyla arkadan gösteriyor Van Gogh Müzesi'nde saklanan Biçerdöver F687 ile karıştırılmamalıdır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0688.htm\" target=\"_blank\" rel=\"noopener\"\u003eF688 belgesel sayfasına bakın\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, arkadan görülen silueti, tırpanın kesin eğrisini, alanın parlak sarısını, gökyüzünün masmavisini ve ufka yerleştirilen küçük figürü geri yüklemelidir.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eSarı şapka ve yuvarlak sırt\u003c\/li\u003e\n\u003cli\u003eTırpanın uzun koyu kıvrımı\u003c\/li\u003e\n\u003cli\u003eSarı alan ile mavi gökyüzünün açık karşıtlığı\u003c\/li\u003e\n\u003cli\u003eUzaktaki ikinci minik işçi\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eReaper, Millet'den sonra, F688\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEylül 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e43,3×24,3 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eÖzel koleksiyon · F688 · JH1783\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eÖzel koleksiyon\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eSarı ve mavinin doğrudan kontrastı\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDar dikey format, bir girişte, ofiste veya bir kütüphanenin yakınında güçlü bir varlık getirir Buğday sarısı ve parlak mavi, krem, kum veya sıcak gri duvarları uyandırır.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Moissonneur, d’après Millet, F688\"\u003e\n\u003ci style=\"background:#d6b63e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#2693c4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#746b3f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d6cb8a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#526547\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eAna kontrasta koyu mavi, toprak kahverengisi veya sarı renkli ahşap çerçeve eşlik eder. İnce bir kalıplama, şeklin dikey momentumunu korur.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003e1,812 × 3,246 px'lik kamu malı görüntü, kırpma veya büyütme olmadan 1,675 × 3,000 px'lik gerçek bir WebP'ye indirgenmiştir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eReaper, Millet, F688'den sonra iç mekanınız için boyandı\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 85 cm)","offer_id":46594960392418,"sku":"LE_MOISSONNEUR_50x85","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/moissonneur-apres-millet-f688-van-gogh-reproduction-peinture-huile.webp?v=1785235047"},{"product_id":"filleuse-vincent-van-gogh","title":"Millet'den sonra Kız, F696 - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Eylül 1889 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eMillet'den sonra Kız, F696\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eProfilde oturan bir kadın, birkaç mobilya parçasına ve renk bantlarına indirgenmiş bir iç mekanda çıkrık çalıştırıyor. Van Gogh, Millet'nin ev sahnesini mavi, sarı, deniz yeşili ve kırmızının parlak bir uyumuna dönüştürüyor.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/filleuse-apres-millet-f696-van-gogh-reproduction-peinture-huile.webp?v=1785235045\u0026amp;format=webp\" alt=\"Darıdan Sonra Kız F696, Vincent van Gogh - yağlıboya reprodüksiyonu\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'den sonra Kız, F696\u003c\/strong\u003eVincent van Gogh · Eylül 1889 · Özel koleksiyon\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEylül 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e40×25,5 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eÖzel koleksiyon\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eÇıkrık çemberi sessiz bir odayı canlandırıyor\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eDöndürücü, arkadan görülen sarı bir sandalye ile tezgahın siyah tekerleği arasına yerleştirilir.Mavi korsajı, açık önlüğü ve uzun koyu eteği, dar formatın ortasında kompakt bir dikey oluşturur.\u003c\/p\u003e\n\u003cp\u003eZemin, sandalyenin altında birleşen birkaç kırmızı ve mavi çizgiyle gösterilir.Çok parlak deniz yeşili duvar, başın ve çıkrıkların etrafındaki serbest dokunuşları ortaya çıkarır.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eSahneyi inşa etmek için üç yapı yeterlidir - sandalye, figür ve tekerlek - ancak tamamlayıcı renkler iç mekanın hareketsiz hale gelmesini engeller.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eKız 40 × 25,5 cm boyutlarındadır ve F696\/JH1786 referanslarını taşır.Eylül 1889'da boyanmıştır ve şu anda özel bir koleksiyondadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eİki nesne arasında sıkıştırılmış bir şekil\u003c\/h3\u003e\n\u003cp\u003eSandalyenin arkası ve tekerlek dairesi gövdeyi yakından çerçeveler. Bu organizasyon, küçük formata rağmen çalışma hareketini hemen okunabilir hale getirir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eMavi sarıya cevap verir\u003c\/h3\u003e\n\u003cp\u003eMasmavi korsaj yeşilimsi duvarın önünde öne çıkarken, sandalye ve çıkrıkların bazı detayları her şeyi titreten sıcak sarılar sunuyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eBirkaç çizgiyle gösterilen bir perspektif\u003c\/h3\u003e\n\u003cp\u003eVan Gogh ne tavanı ne de odanın derinliğini anlatıyor.Yerdeki mobilya dikmeleri ve eğik çizikler, spinnerın etrafındaki alanı yerleştirmek için yeterlidir.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa Filleuse F696\/JH1786, Eylül 1889'da Saint-Rémy'de boyanmış 40 × 25,5 cm boyutlarında tuval üzerine yağlı boyadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKaynak\u003c\/span\u003e\u003ch3\u003eMillet'den sonraki bir baskı\u003c\/h3\u003e\n\u003cp\u003eVan Gogh siyah beyaz bir reprodüksiyondan çalıştı.Bu yöntemi bir çeviriye benzetti: kompozisyon tanınabilir kaldı, ancak renk tamamen kendisine ait oldu.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerisi\u003c\/span\u003e\u003ch3\u003eKırsal çalışmaya adanmış bir döngü\u003c\/h3\u003e\n\u003cp\u003eDöndürücü, Millet'ye göre Saint-Paul-de-Mausole'de kaldığı süre boyunca Van Gogh'un devraldığı ekimcilere, hasatçılara ve köylülere katılıyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKanıt\u003c\/span\u003e\u003ch3\u003eEski Moshe Mayer koleksiyonu\u003c\/h3\u003e\n\u003cp\u003eEski kataloglar Moshe Mayer'in Cenevre koleksiyonundaki tabloyu gösterir.Şu anki korunumu özel bir koleksiyon olarak belirtilmiştir.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0696.htm\" target=\"_blank\" rel=\"noopener\"\u003eBelgesel sayfası F696'ya bakın\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, döndürücünün eğik profilini, çıkrıktaki siyah daireyi, sarı sandalyeyi, mavi korsajı ve zeminin ince kırmızı köşegenlerini korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eSağa yerleştirilmiş çıkrıkların koyu renkli çemberi\u003c\/li\u003e\n\u003cli\u003eKorsajın yoğun mavisi\u003c\/li\u003e\n\u003cli\u003eÖn plandaki sandalyenin sarı arkası\u003c\/li\u003e\n\u003cli\u003eZemini yapılandıran kırmızı ve mavi dokunuşlar\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'den sonra Kız, F696\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEylül 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e40×25,5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eÖzel koleksiyon · F696 · JH1786\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eÖzel koleksiyon\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eKüçük bir dikey format mavi, sarı ve deniz yeşili\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDar siluet bir okuma köşesi, giriş veya çerçeve duvarı için uygundur.sandalyenin masmavi ve sarısı açık ahşap, adaçayı yeşili ve ağartılmamış tekstillerle eşleşir.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Filleuse, d’après Millet, F696\"\u003e\n\u003ci style=\"background:#3d6192\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c6a54e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9cbcb0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#514a42\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a76a50\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eGece mavisi, ceviz kahverengisi veya eski sarı çerçeve ana vurguları alır. İnce ila orta kalıplama sahneyi samimi tutar.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003e1962 × 3246 px'lik kamu malı görüntü, kırpma veya büyütme olmadan 1814 × 3000 px'lik gerçek bir WebP'ye indirgenmiştir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLa Filleuse, Millet'den sonra, F696, iç mekanınız için boyanmıştır\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (75 x 50 cm)","offer_id":46594960523490,"sku":"LA_FILLEUSE_75x50","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/filleuse-apres-millet-f696-van-gogh-reproduction-peinture-huile.webp?v=1785235045"},{"product_id":"paysanne-rateau-apres-millet-vincent-van","title":"Millet'den sonra tırmıklı köylü, F698 - Van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Eylül 1889 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eMillet, F698'den sonra tırmıklı köylü\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBir tarlada duran köylü bir kadın bir elinde uzun tırmığını tutarken diğer elinde bir sürahi taşır.Van Gogh Jean-François Millet'den kırsal bir figür alarak ona dar bir formatta anıtsal bir varlık kazandırır.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paysanne-rateau-apres-millet-f698-van-gogh.webp?v=1785235043\u0026amp;format=webp\" alt=\"Vincent van Gogh'un Millet F698'inden sonra tırmıklı köylü\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet, F698'den sonra tırmıklı köylü\u003c\/strong\u003eVincent van Gogh · Eylül 1889 · Özel koleksiyon\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEylül 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e39×24 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eÖzel koleksiyon\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTarlanın ortasında hareketsiz bir işçi\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eKöylü kadın tuvalin neredeyse tüm yüksekliğini kaplar.Tırmığı yerden başlayıp omzunun ötesine uzanan büyük bir köşegen oluştururken, asılı sürahi diğer taraftaki hareketi dengeler.\u003c\/p\u003e\n\u003cp\u003eUzun giysi basit ve istikrarlı bir kütle oluşturur.şeklin arkasında, alanın dikey çizgileri vücudun daha derin konturuna ve aletin çok düz sapına sıkı bir arka plana karşı koyar.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003ePozun sakinliği çabayı silmez: eller, alet ve sürahi, gereksiz anekdotlar olmadan bir günlük çalışmanın öyküsünü anlatmaya yeterlidir.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003e39 × 24 cm ölçülerindeki tuval üzerine bu küçük yağlıboya kataloglanmış F698\/JH1789 Eylül 1889'da boyanmış, özel bir koleksiyonda kalır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eTamamen dolu bir dikey format\u003c\/h3\u003e\n\u003cp\u003eBaş üst kenara yaklaşır ve elbise neredeyse tuvalin altına iner. Bu çerçeve köylü kadına kırsal bir sahne için alışılmadık bir ölçek verir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eTırmık tüm figürü düzenler\u003c\/h3\u003e\n\u003cp\u003eEğik sapı kompozisyonun iki ucunu birbirine bağlar.Ayrıca vücut ağırlığının hareketini ve kolların asimetrik konumunu vurgular.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eBir baskıdan çeviri\u003c\/h3\u003e\n\u003cp\u003eVan Gogh, Millet'nin bir tablosunu doğrudan kopyalamadı: dokunuşu ve malzemesiyle yeniden yorumladığı siyah beyaz bir reprodüksiyondan çalıştı.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eF698\/JH1789 tırmıklı köylü Eylül 1889'da Saint-Rémy'de yapılmıştır.39 × 24 cm ölçülerindedir ve özel bir koleksiyondadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eJean-François Millet'nin bir bestesi\u003c\/h3\u003e\n\u003cp\u003eFigür, Van Gogh'un kırsal yaşamın vazgeçilmez ustası olarak gördüğü sanatçı Millet'nin köylü repertuarına aittir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eBirlikte\u003c\/span\u003e\u003ch3\u003eEylül 1889'dan kopyalar\u003c\/h3\u003e\n\u003cp\u003eMektup 805, aynı dönemde boyanmış Millet'e dayanan, özellikle Kız, Biçerdöver ve Tırmıklı Köylü olmak üzere çeşitli konuları listeliyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eBelge\u003c\/span\u003e\u003ch3\u003eTarihi bir siyah beyaz görüntü\u003c\/h3\u003e\n\u003cp\u003eEser özel bir koleksiyonda olduğu için, serbestçe erişilebilen en iyi reprodüksiyon eski bir monokrom fotoğraf olarak kalmıştır.Yapay renklendirme uygulanmamıştır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0698.htm\" target=\"_blank\" rel=\"noopener\"\u003eF698 belgesel sayfasına bakın\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eBir sipariş için ressamın dikey çerçeveyi, anıtsal silueti, tırmığın köşegenini, asılı sürahiyi ve alanın sıkı ritmini koruması gerekir.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eKöylü kız neredeyse tam uzunlukta çerçeveledi\u003c\/li\u003e\n\u003cli\u003eTırmık sapının büyük köşegeni\u003c\/li\u003e\n\u003cli\u003eKompozisyonu dengeleyen sürahi\u003c\/li\u003e\n\u003cli\u003eVücudun ana hatları ile alan arasındaki kontrast\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet, F698'den sonra tırmıklı köylü\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEylül 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e39×24 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eÖzel koleksiyon · F698 · JH1789\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eÖzel koleksiyon\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eAyık ve anıtsal bir köylü figürü\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDar dikey format iki açıklık arasında, bir girişte veya bir kitaplığın yakınında kolayca yerini bulur.Güçlü tasarımı sade iç mekanlar ve doğal ahşaplar için uygundur.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Paysanne au râteau, d’après Millet, F698\"\u003e\n\u003ci style=\"background:#d4d0c8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9c9992\"\u003e\u003c\/i\u003e\u003ci style=\"background:#706f6b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4a4947\"\u003e\u003c\/i\u003e\u003ci style=\"background:#252523\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eMat siyah, dumanlı kahverengi veya koyu meşe çerçeve, görüntünün belgesel karakterini vurgular İnce bir kalıplama, kompozisyonun ince oranlarına saygı gösterir.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003e1650 × 2724 px'lik siyah beyaz belgesel fotoğraf, yapay renklendirme veya büyütme olmadan, doğal tanımında gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eİç mekanınız için Millet, F698'den sonra tırmıklı köylü boyandı\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 85 cm)","offer_id":46594960687330,"sku":"PAYSANNE_AVEC_UN_R_TEAU_D_APR_S_MILLET__50x85","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/paysanne-rateau-apres-millet-f698-van-gogh.webp?v=1785235043"},{"product_id":"semeur-apres-millet-vincent-van-gogh-2","title":"Darı'dan sonra Ekici - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Ekim 1889 sonu · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eDarı'dan sonra Ekici\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBir çiftçi tarlayı geniş bir adımla geçer, sağ eli tohumları dağıtmak için açılır ve sol eli çantasına yapışır.Van Gogh, Millet'nin oyulmuş modelini büyütür ve dünyayı mavi, mor ve yeşilden oluşan sıkı bir ağa dönüştürür.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/semeur-apres-millet-f690-van-gogh-reproduction-peinture-huile.webp?v=1785233017\u0026amp;format=webp\" alt=\"Darıdan Sonra Ekici, Vincent van Gogh - yağlıboya reprodüksiyonu\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eDarı'dan sonra Ekici\u003c\/strong\u003eVincent van Gogh · Ekim 1889 Sonu · Stavros Niarchos Koleksiyonu\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eEkim 1889 sonu\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e80,8×66 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eStavros Niarchos Koleksiyonu\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eTarlanın uçsuz bucaksızlığında izole edilmiş bir tarım jesti\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eEkici dörtte üç ilerler, bir bacağı sola doğru uzatılmış ve diğeri sıkıca dikilmiştir.Mavi bluzu, açık pantolonu, tozlukları ve kahverengi çantası, parçalanmış dokunuşa rağmen oldukça okunabilir bir siluet oluşturur.\u003c\/p\u003e\n\u003cp\u003eUfuk çizgisi alçak kalır.Uzaklarda iki değirmen taşı ve minik bir işçi belirirken, sarı-yeşil gökyüzü ve mavi-mor alan tamamen kısa eğik çizgilerle kaplıdır.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh pasif olarak Millet'i kopyalamaz: renkli bir gravürü tercüme eder ve ekiciye her fırça darbesinin adımına eşlik ettiği canlı bir alan verir.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eDarıdan sonraki bu yorum 80.8 × 66 cm. F690\/JH1837 referanslıdır ve Stavros Niarchos koleksiyonuna aittir.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eJest elden ayağa okunabilir\u003c\/h3\u003e\n\u003cp\u003eAçık sağ el, uzanmış kol ve sol bacak sürekli bir diyagonal oluşturur.Çanta ve katlanmış kol, gövde çevresinde bir karşı ağırlık oluşturur.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eAlan bir yön ağıdır\u003c\/h3\u003e\n\u003cp\u003eMor, mavi ve yeşilin küçük dokunuşları figürün etrafındaki yönelimi değiştirir. Köylünün ilerlemesini vurgularken oluklar önerirler.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eBirkaç burca indirgenmiş bir ufuk\u003c\/h3\u003e\n\u003cp\u003eDeğirmen taşları ve ikinci işçi zar zor çizilmiştir.Çok küçük ölçekleri tarlaya tam bir alan sağlar ve ana figürü neredeyse ulaşılabilecek bir yere yerleştirir.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eDarı'dan sonra gelen Sower, Ekim 1889'un sonunda boyanmış, 80.8 × 66 cm ölçülerinde tuval üzerine yağlı boyadır.F690\/JH1837'yi taşır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eMillet'den sonra bir gravür\u003c\/h3\u003e\n\u003cp\u003eVan Gogh, Jean-François Millet'nin Le Semeur'dan türettiği siyah beyaz bir baskıdan çalışmıştır.Figür, çanta ve genel jest bu kaynaktan gelmektedir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYöntem\u003c\/span\u003e\u003ch3\u003eMüzisyen gibi performans sergileyin\u003c\/h3\u003e\n\u003cp\u003eVan Gogh mektuplarında diğer sanatçılardan aldığı kopyaları bir sanatçının eseriyle karşılaştırıyor: motifi koruyor ancak rengi ve malzemeyi özgürce seçiyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKoleksiyon\u003c\/span\u003e\u003ch3\u003eNiarchos koleksiyonundaki F690\u003c\/h3\u003e\n\u003cp\u003eBu dikey versiyon Stavros Niarchos koleksiyonuna aittir.F690\/JH1837 referansları onu Millet, F689\/JH1836'dan sonraki başka bir Sower'dan ayırır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vangoghletters.org\/vg\/letters\/let805\/artwork.html\" target=\"_blank\" rel=\"noopener\"\u003eVan Gogh'un Mektupları'ndaki eseri ve modelini görün\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, ekicinin büyük köşegenini, açık eli, kahverengi çantayı, alçak ufuk çizgisini ve gökyüzünün ve tarlanın ayrı titreşimini korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eSağ el tohumları dağıtıyor\u003c\/li\u003e\n\u003cli\u003eBacakların ve kolların ters hareketi\u003c\/li\u003e\n\u003cli\u003eKarıkları yapılandıran mavi-mor dokunuşlar\u003c\/li\u003e\n\u003cli\u003eUfukta yer alan değirmen taşları ve küçük figür\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eDarı'dan sonra Ekici\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eEkim 1889 sonu\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e80,8×66 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eF690 · JH1837\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eStavros Niarchos Koleksiyonu\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eSarı-yeşil bir gökyüzünün altında mavi-mor bir alan\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDikey format bir masa, giriş veya okuma köşesi için uygundur.Maviler, morlar ve soluk sarı maç açık ahşap, siyah metal ve sıcak gri duvarlar.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Le Semeur, d’après Millet\"\u003e\n\u003ci style=\"background:#c6cc97\"\u003e\u003c\/i\u003e\u003ci style=\"background:#667f92\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4f587f\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7b5b3b\"\u003e\u003c\/i\u003e\u003ci style=\"background:#909277\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eBluzu ve çantayı gece mavisi, toprak kahverengisi veya gri yeşil bir çerçeve kaplıyor.İnce bir kalıp, figürün momentumuna onu kapatmadan eşlik ediyor.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eMevcut en iyi sadık reprodüksiyon 1.256 × 1.556 px. yapay büyütme olmadan gerçek bir WebP'ye dönüştürülmüştür.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eDarıdan sonra The Sower iç mekanınız için boyadı\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594966356194,"sku":"SEMEUR_LE_D_APR_S_MILLET__50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/semeur-apres-millet-f690-van-gogh-reproduction-peinture-huile.webp?v=1785233017"},{"product_id":"soir-fin-journee-apres-millet-vincent","title":"Günün Sonu, Millet'den sonra - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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p{margin:0;color:var(--vg-muted)}.vg-faq{display:grid;grid-template-columns:.78fr 1.22fr;gap:70px}.vg-faq-list{border-top:1px solid var(--vg-line)}.vg-faq details{border-bottom:1px solid var(--vg-line)}.vg-faq summary{position:relative;padding:21px 42px 21px 0;cursor:pointer;list-style:none;font:19px Georgia,serif}.vg-faq summary::-webkit-details-marker{display:none}.vg-faq summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Kasım 1889 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eMillet'e göre Günün Sonu\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eAlacakaranlıkta bir köylü kolunu ceketinin içinden zar zor geçirir.Sabanını solda terk eder, aletleri ön planda durur ve diğer işçiler hilal ile kaplı sarı bir gökyüzünün altında köye geri döner.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fin-journee-apres-millet-van-gogh-f649-menard.webp?v=1785231600\u0026amp;format=webp\" alt=\"Millet'den Sonra Günün Sonu, Vincent van Gogh, F649 JH1835, Menard Sanat Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'e göre Günün Sonu\u003c\/strong\u003eVincent van Gogh · Kasım 1889 · Menard Sanat Müzesi, Komaki\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKasım 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e72×94 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMenard Sanat Müzesi, Komaki\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eGününü bitiren bir adamın yorgun hareketi\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eÇiftçi ortada duruyor, kolunu giyerken dengeyi sağlamak için bacakları açılıyor Millet'den kalan beceriksiz pozu, teatral ifadeye başvurmadan fiziksel yorgunluğu özetliyor.\u003c\/p\u003e\n\u003cp\u003eSaban ve tekerlekleri sol ufukta göze çarpıyor; bir sepet ve birkaç alet yeri işgal ediyor. Arka planda iki siluet, gökyüzünü ve tarlaları birleştiren sarı ve gri bir ışık altında bir çan kulesine doğru ilerliyor.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh siyah beyaz bir gravürü büyütür ve ona bir saat, bir sıcaklık ve bir ışık verir: renk, işin sonunu gerçek bir akşam manzarasına dönüştürür.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eMenard Sanat Müzesi, 72 × 94 cm ölçülerindeki bu tuval üzerine yağlıboya'yı muhafaza etmektedir.F649\/JH1835 referanslıdır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eCeket ana hareketi oluşturur\u003c\/h3\u003e\n\u003cp\u003eKol, gövdenin önünde geniş bir eğri halinde asılı kalır ve kolların hareketini uzatır. Işık ufkuyla kontrast oluşturan ve yorgunluğu anında okunabilir hale getiren koyu renkli bir kemer oluşturur.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eNatürmort gibi dağıtılan araçlar\u003c\/h3\u003e\n\u003cp\u003eİşçinin etrafını pulluk, çapa, sepet ve tahta sap sarar Bu nesneler, sıkı dokunuşa rağmen belirgin kalır ve ek metin olmadan sona eren günün hikayesini anlatır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eNeredeyse metalik bir alacakaranlık sarısı\u003c\/h3\u003e\n\u003cp\u003eGökyüzü kükürt sarısı, gri yeşil ve koyu sarı karıştırır, kısa dokunuşlarla çaprazlanır.Kahverengi toprak bu tonları alır ve ufukta sadece dar bir ayrım bırakır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eGünün Sonu, Millet'e göre 72 × 94 cm'dir. Katalog, Kasım 1889'dan kalmadır ve F649\/JH1835 altında tanımlar; müze 1889 -1890'ı koruyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eDarı'nın Ceket Adamı\u003c\/h3\u003e\n\u003cp\u003eMotif, Ceketli Adam olarak da adlandırılan Günün Sonu'ndan geliyor: Bitkin bir işçi, tarlada çalıştıktan sonra kıyafetlerini giymeye çalışıyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerisi\u003c\/span\u003e\u003ch3\u003eGünün Dört Anı\u003c\/h3\u003e\n\u003cp\u003eVan Gogh, Adrien Lavieille'in Millet'nin serisine ait bir gravüründen çalıştı.Ayrıca ayrılışı tarlalara, şekerlemeye ve akşama aktardı.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKoleksiyon\u003c\/span\u003e\u003ch3\u003eJaponya'nın Komaki kentinde korunmaktadır\u003c\/h3\u003e\n\u003cp\u003eMenard Sanat Müzesi eseri tuval üzerine yağlı boya tekniği ve 72 × 94 cm boyutlarıyla Günün Sonu (Darıdan sonra) başlığı altında yayınlamaktadır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/museum.menard.co.jp\/english\/collection\/european\/gogh_vi_02.html\" target=\"_blank\" rel=\"noopener\"\u003eMenard Sanat Müzesi talimatlarına bakın\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, ceketini giyen adamın, sabanın, aletlerin, hilal ayının ve tarlaları gökyüzüne bağlayan gri sarı ışığın hareketini korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eKöylünün asılı kol ve yükseltilmiş kolları\u003c\/li\u003e\n\u003cli\u003eSaban sol ufukta siluet halindeydi\u003c\/li\u003e\n\u003cli\u003eSepet ve sahaya yerleştirilen uzun aletler\u003c\/li\u003e\n\u003cli\u003eGökyüzünün tepesindeki küçük hilal\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'e göre Günün Sonu\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eKasım 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e72×94 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eF649 · JH1835\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eMenard Sanat Müzesi, Komaki\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eGri sarı ve kahverengi topraktan bir alacakaranlık\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eYatay format bir ofis, kütüphane veya yemek odası için uygundur.kahverengiler, gri yeşillikler ve sessiz sarı maç ceviz, keten ve bej taş duvarlar.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Fin de la journée, d’après Millet\"\u003e\n\u003ci style=\"background:#b5a45e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7f7b59\"\u003e\u003c\/i\u003e\u003ci style=\"background:#594b38\"\u003e\u003c\/i\u003e\u003ci style=\"background:#332f29\"\u003e\u003c\/i\u003e\u003ci style=\"background:#a07d47\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eDumanlı kahverengi, zeytin yeşili veya mat siyah bir çerçeve silüetleri kaplıyor. Bu çalışma sahnesine ağırlığını koymadan sade bir kalıp yakışıyor.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eMevcut en iyi güvenilir çoğaltma 2.502 × 1.980 px. yapay kırpma veya büyütme olmadan gerçek bir WebP'ye dönüştürülmüştür.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eDarıdan sonra Günün Sonu, içiniz için boya yapar\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyaması · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594967339234,"sku":"SOIR_LA_FIN_DE_LA_JOURN_E_APR_S_MILLET__50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/fin-journee-apres-millet-van-gogh-f649-menard.webp?v=1785231600"},{"product_id":"bergere-apres-millet-vincent-van-gogh","title":"Millet'den sonra Çoban Kız - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Kasım 1889 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eMillet'den sonra Çoban Kız\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eOturan bir çoban kız altın bir alanın kenarında uzun asasına yaslanır Van Gogh, Jean-François Millet'den sonra bir gravür kullanır, ancak siyah ve beyazın yerine koyu mavi, koyu sarı ve eziyetli gökyüzü kontrastı koyar.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bergere-apres-millet-van-gogh-f699-tel-aviv.webp?v=1785230773\u0026amp;format=webp\" alt=\"Millet'den Sonra Çoban Kız, Vincent van Gogh, F699 JH1838, Tel Aviv Sanat Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'den sonra Çoban Kız\u003c\/strong\u003eVincent van Gogh · Kasım 1889 · Tel Aviv Sanat Müzesi\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eKasım 1889\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e52,7×40,7 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTel Aviv Sanat Müzesi\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eHareket eden bir gökyüzünün altında hareketsiz bir köylü figürü\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eKadın tuvalin neredeyse tüm yüksekliğini kaplar.Yüzü ve elleri küçük kahverengi kuluçkalarla canlandırılmıştır; beyaz şapkası, mavi-siyah şalı ve mor eteği, aydınlık alanda çok kesilmiş koyu renkli bir kütle oluşturuyor.\u003c\/p\u003e\n\u003cp\u003eSopa kompozisyonu çapraz olarak alt kenara doğru geçiyor.Çobanın arkasında iki portakal ağacı çok alçak bir ufku noktalıyor, uzun lacivert dalgalar ise gökyüzünde koşuyor ve figürün hareketsizliğini vurguluyor.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh Millet'nin pozunu korudu ama rengi tamamen icat etti: Giysilerin ve gökyüzünün mavisi, kırsal çalışma görüntüsünü anıtsal bir varlığa dönüştürdü.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eKasım 1889'da yapılan 52,7 × 40,7 cm boyutlarındaki bu eser Tel Aviv Sanat Müzesi'nde saklanmakta ve F699\/JH1838 referans gösterilmektedir.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eÇubuk köşegeni kapatıyor\u003c\/h3\u003e\n\u003cp\u003eUzun kahverengi çizgisi elleri sol alt kenara bağlar.Oturma pozunu stabilize eder ve gökyüzünün ve alanın yatay hareketlerini dengeler.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eNeredeyse gece mavisi\u003c\/h3\u003e\n\u003cp\u003eMavi-siyah şal figürü büyük sürekli bir şekil olarak çevreler.Aşk ve eteğin daha açık mavileri anıtsal siluetini zayıflatmadan derinlik yaratır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eGökyüzü hareketin alanı olmaya devam ediyor\u003c\/h3\u003e\n\u003cp\u003eKoyu şeritler çobanın üzerinde kıvrılırken, alan daha kısa sarı ve kahverengi dokunuşlarla inşa edilmiştir. Bu karşıtlık havayı, toprağı ve figürü açıkça ayırır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa Bergère, Millet'den sonra, Kasım 1889'da Saint-Rémy'de boyanmış, 52,7 × 40,7 cm ölçülerinde tuval üzerine yağlı boya F699\/JH1838 referanslarını taşır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eMillet'den sonra yapılmış bir gravür\u003c\/h3\u003e\n\u003cp\u003eKaynak, Jean-Baptiste Millet tarafından kardeşi Jean-François Millet tarafından La Grande Bergère assise'den sonra kazınmış bir ahşaptır.27.3 × 21.9 cm'lik bu baskı siyah beyaz çizimi sağlamıştır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eAktarım\u003c\/span\u003e\u003ch3\u003eRenk tarafından yorumlanan bir kopya\u003c\/h3\u003e\n\u003cp\u003eSaint-Rémy'de Van Gogh, beğenilen sanatçıların reprodüksiyonlarını büyüttü ve onlara kendi paletini verdi.Poz tanınabilir durumda ama gökyüzü, maviler ve impasto tamamen onun diline ait.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKatalog\u003c\/span\u003e\u003ch3\u003eF699 ve JH1838\u003c\/h3\u003e\n\u003cp\u003eİki uyumlu sayı, bu oturan çobanı diğer köylü tebaasından ve aynı dönemde Millet'den sonra yapılan çok sayıda transkripsiyondan ayırıyor.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/vggallery.com\/painting\/p_0699.htm\" target=\"_blank\" rel=\"noopener\"\u003eF699 katalog sayfasına bakın\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, büyük mavi-siyah şalı, çapraz çubuğu, yüz kaplamasını, iki portakal ağacını ve altın alan ile hareketli mavi gökyüzü arasındaki ayrımı korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eKısa kuluçka ile modellenen kahverengi yüz\u003c\/li\u003e\n\u003cli\u003eOmuzları saran mavi-siyah şal\u003c\/li\u003e\n\u003cli\u003eEllerde tutulan uzun eğik çubuk\u003c\/li\u003e\n\u003cli\u003eGökyüzünü geçen lacivert dalgalar\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'den sonra Çoban Kız\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eKasım 1889\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e52,7×40,7 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eF699 · JH1838\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eTel Aviv Sanat Müzesi\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eKoyu sarı bir manzarada mavi bir figür\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eDikey format bir kitaplık, yatak odası veya ofis için uygundur.koyu mavi, altın aşı boyası ve mor maç ceviz, doğal keten ve mavi-gri duvarlar.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Bergère, d’après Millet\"\u003e\n\u003ci style=\"background:#2d4f68\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6d79a8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#cf9e48\"\u003e\u003c\/i\u003e\u003ci style=\"background:#9b7250\"\u003e\u003c\/i\u003e\u003ci style=\"background:#282b32\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eŞalı ve alanı gece mavisi, koyu kahverengi veya yaldızlı ahşap bir çerçeve kaplar. Dar bir kalıplama gökyüzünü sıkıştırmadan dikeyliği vurgular.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003e2.520 × 3.342 px'lik kamu malı çoğaltma, yapay kırpma veya büyütme olmadan 2.262 × 3.000 px'lik gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLa Bergère, Millet'den sonra, iç mekanınız için boyadı\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594968518882,"sku":"BERG_RE_LA_D_APR_S_MILLET__50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/bergere-apres-millet-van-gogh-f699-tel-aviv.webp?v=1785230773"},{"product_id":"champ-enneige-herse-vincent-van-gogh","title":"Millet - Vincent van Gogh'dan sonra portcullis'li karlı alan","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Ocak 1890 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eMillet'den sonra portcullis'li karlı alan\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eNeredeyse boş bir ovada, kardan terk edilmiş bir tırmık ve saban çıkar.Kara kuşlar ve uzak silüetler, Jean-François Millet'den alınan bu geniş mavi-yeşil manzaraya bazı referans noktaları verir.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-enneige-herse-van-gogh-museum-s0175v1962.webp?v=1785228947\u0026amp;format=webp\" alt=\"Millet'den sonra portcullis'li karlı alan, Vincent van Gogh, Van Gogh Müzesi, s0175V1962\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'den sonra portcullis'li karlı alan\u003c\/strong\u003eVincent van Gogh · Ocak 1890 · Van Gogh Müzesi, Amsterdam\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOcak 1890\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e72,1×92 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eVan Gogh Müzesi, Amsterdam\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eAletler ve kuşlarla canlandırılmış bir kış ovası\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eAlan neredeyse tüm yüzeyi kaplar.Tırmık sağ altta, araba tekerleği ise solda yer alır; bu iki geometrik şekil karın uzun yatay çizgilerini kırar.\u003c\/p\u003e\n\u003cp\u003eÇok alçak ufukta birkaç ağaç, bir çan kulesi ve binalar siste erir, siyah kuş grupları soluk gökyüzünü geçerek kompozisyonun iki yarısını görsel olarak birbirine yaklaştırır.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh modelin değerlerini siyah beyaz kopyalamaz: gravürü zamanla kontrastları kısmen azalmış renkli bir armoniye çevirir.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eVan Gogh Müzesi bu tabloyu s0175V1962 envanterinde muhafaza etmektedir.Ocak 1890'da boyanmış olup F632\/JH1882 kataloğunda yer almaktadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eDarı'dan alınmış bir kompozisyon\u003c\/h3\u003e\n\u003cp\u003eVan Gogh, basılı modelin sade, terk edilmiş aletlerini ve kuşlarını korudu, ancak gravürün grilerini kendi mavi, yeşil ve krem tonlarıyla değiştirdi.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eRenkler artık dönüştü\u003c\/h3\u003e\n\u003cp\u003eMüze, orijinal kontrastların çok daha güçlü olduğunu söylüyor. Tuval artık neredeyse tek renkli görünüyor ve bu da kargaların veya kalelerin siyah silüetlerini daha da vurguluyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eKarın malzemesi\u003c\/h3\u003e\n\u003cp\u003eParalel tuşlar düzgün beyaz bir yüzey aramazlar.Yön ve kalınlıkları değiştirerek takımların etrafındaki olukları, donmuş plakaları ve işaretleri ayırt ederler.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003ePortcullisli karlı alan, Millet'e göre 72,1 × 92 cm. s0175V1962 envanterini ve F632\/JH1882 referanslarını taşır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eBağlam\u003c\/span\u003e\u003ch3\u003eGüveni yeniden kazanmak için kopyalayın\u003c\/h3\u003e\n\u003cp\u003eVan Gogh uzun bir krizden sonra dışarı çıkıp doğadan çalışmaktan çekiniyordu, yavaş yavaş kendine güveni ve konsantrasyonu yeniden kazanmak için klasik bir eğitim egzersizi olan baskılara geri döndü.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYorumlama\u003c\/span\u003e\u003ch3\u003eBir çeviri, asla faks değil\u003c\/h3\u003e\n\u003cp\u003eVan Gogh kopyalarını bir müzisyenin yorumu olarak görüyordu: Yapı Millet'den gelirken, renk, dokunuş ve atmosfer onun oldu.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKoleksiyon\u003c\/span\u003e\u003ch3\u003eEnvanter s0175V1962\u003c\/h3\u003e\n\u003cp\u003eO zamanlar Van Gogh ailesi tarafından Theo tarafından korunan tablo, 1962 yılında Vincent van Gogh Vakfı'na devredildi ve bugün Amsterdam Müzesi'ne ait.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.vangoghmuseum.nl\/en\/collection\/s0175V1962\" target=\"_blank\" rel=\"noopener\"\u003eVan Gogh Müzesi talimatlarına bakın\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, tarlanın genişliğini, tırmık ve sabanın kesin konumunu, karın mavi-yeşil çeşitlerini ve siyah kuşların inceliğini korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eSağ alt köşeye yerleştirilen tahta tırmık\u003c\/li\u003e\n\u003cli\u003eSolda ortaya çıkan araba tekerleği\u003c\/li\u003e\n\u003cli\u003eGökyüzüne dağılmış kara kuş grupları\u003c\/li\u003e\n\u003cli\u003eBinaların ve ağaçların sise karıştığı alçak ufuk\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'den sonra portcullis'li karlı alan\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eOcak 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e72,1×92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003es0175V1962· F632· JH1882\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eVan Gogh Müzesi, Amsterdam\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eGeniş, sessiz kış manzarası\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eYatay format bir kanepe, büfe veya yatağın üzerinde uygundur.Gri maviler ve kar tonları açık renkli ahşap, keten ve beyaz veya adaçayı duvarlarla etkileşime girer.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Champ enneigé avec une herse, d’après Millet\"\u003e\n\u003ci style=\"background:#bdd3ce\"\u003e\u003c\/i\u003e\u003ci style=\"background:#94b5b1\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6e9290\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d5d3b8\"\u003e\u003c\/i\u003e\u003ci style=\"background:#344847\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eMavi-gri, açık meşe veya kirli beyaz bir çerçeve kış atmosferini uzatır.Ayık bir kalıplama, alanın merkezi boşluğuna saygı gösterir.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eResmi görüntü, yapay kırpma veya büyütme olmadan 3.000 × 2.334 px gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eİç mekanınız için Millet'den sonra portcullis'in boyandığı karlı alan\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594972287202,"sku":"CHAMP_ENNEIG_AVEC_HERSE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/champ-enneige-herse-van-gogh-museum-s0175v1962.webp?v=1785228947"},{"product_id":"premiers-pas-apres-millet-vincent-van","title":"Millet'e göre ilk adımlar - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 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td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Ocak 1890 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eMillet'e göre ilk adımlar\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eKapalı bir bahçede çömelmiş bir baba, annesinin desteğiyle ilk adımlarını atan çocuğuna doğru kollarını uzatır.Van Gogh, Millet'den sonra tek renkli bir fotoğrafı mavi, yeşil ve aşı boyasının hassas bir sahnesine dönüştürür.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/premiers-pas-van-gogh-met-64-165-2.webp?v=1785225165\u0026amp;format=webp\" alt=\"Millet'den sonra ilk adımlar, Vincent van Gogh, Metropolitan Sanat Müzesi, 64.165.2\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'e göre ilk adımlar\u003c\/strong\u003eVincent van Gogh · Ocak 1890 · Metropolitan Sanat Müzesi, New York\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOcak 1890\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e72,4×91,1 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eMetropolitan Sanat Müzesi, New York\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmış, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eEbeveynlerin kollarında ilk adım\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eSolda baba küreğini koymuş ve bir el arabasının yanına diz çökmüş, kollarını merkezdeki çocuğa doğru açıyor, sağda anne eğilerek küçük bedeni omuzlarından tutuyor, bahçe çitinin hemen önünde.\u003c\/p\u003e\n\u003cp\u003eİlkbaharda çiçek açan ağaç ve yumuşak yeşillikler sahneyi hazırlıyor. Baba ve annenin mavi kıyafetleri evin moruna tepki veriyor; soluk zemin pembe, yeşil ve sarı dokunuşlarla kaplı.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eÇocuğun minik hareketi tüm ağı organize eder: terk edilmiş alet, açık kollar ve eğik bedenler bir ebeveynden diğerine bu kısa geçişe doğru birleşir.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eMetropolitan Sanat Müzesi bu eseri 64.165.2 numarasıyla muhafaza etmektedir. F668\/JH1883 kataloğunda yer almış ve bir ızgara fotoğrafından tuvale aktarılmıştır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eBir aile üçgeni\u003c\/h3\u003e\n\u003cp\u003eÜç karakter alçak bir üçgen oluşturur Anne ve baba, küçük silueti kompozisyonun duygusal zirvesi haline gelen çocuğa doğru eğilir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eÇalışmayı askıya alan araçlar\u003c\/h3\u003e\n\u003cp\u003eKürek, el arabası ve sepet bahçenin aktivitesini hatırlatıyor. Baba az önce jestini yarıda kesti: bu duraklama sahneye spontane karakterini veriyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eİcat edilen renk\u003c\/h3\u003e\n\u003cp\u003eVan Gogh'un kullandığı fotoğraf sadece değerler sağlıyordu, kıyafetlerin mavileri, bahçenin yeşillikleri ve evin leylak rengi Millet'nin motifine dair kişisel yorumudur.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLk adımlar, Millet'e göre Ocak 1890'da Saint-Rémy'de boyanmış 72.4 × 91.1 cm. referansları F668\/JH1883 ve envanter 64.165.2'yi taşımaktadır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eYöntem\u003c\/span\u003e\u003ch3\u003eOrtaya konmuş bir fotoğraf\u003c\/h3\u003e\n\u003cp\u003eMet, Van Gogh'un kompozisyonu tuvale aktarmak için Millet'nin çiziminin bir fotoğrafını ızgarada tuttuğunu belirtir.Daha sonra rengi tamamen doğaçlama yaptı.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerisi\u003c\/span\u003e\u003ch3\u003eYirmi bir kopya-yorum\u003c\/h3\u003e\n\u003cp\u003e1889-1890 sonbahar ve kış aylarında Van Gogh, Millet'den sonra bir bestecinin bir müzisyen tarafından yorumlanmasına benzettiği yirmi bir eser yarattı.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKoleksiyon\u003c\/span\u003e\u003ch3\u003e1964'te Don Richard\u003c\/h3\u003e\n\u003cp\u003eGeorge N. ve Helen M. Richard, 1964 yılında Metropolitan Sanat Müzesi'ne tabloyu bağışladılar.Şu anda Avrupa Resimleri Bölümü'nde sergileniyor.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/436526\" target=\"_blank\" rel=\"noopener\"\u003eMetropolitan Sanat Müzesi'nin talimatlarına bakın\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya, babanın açık hareketini, çocuğun kırılgan dengesini, kıyafetlerin morluklarını ve bahçenin bahar ışığını korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eDiz çökmüş babanın açık kolları\u003c\/li\u003e\n\u003cli\u003eMerkezde annesinin desteklediği çocuk\u003c\/li\u003e\n\u003cli\u003eEl arabası ve kürek ön planda kaldı\u003c\/li\u003e\n\u003cli\u003eMor evin önündeki çiçekli ağaç\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'e göre ilk adımlar\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eOcak 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e72,4×91,1 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003e64.165.2 · F668 · JH1883\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eMetropolitan Sanat Müzesi, New York\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eHassas ve hareketli bir aile sahnesi\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eYumuşak maviler ve gümüş yeşillikler bir yatak odasına, oturma odasına veya aile alanına sakin ışık getirir.Konu özellikle doğum veya aile hediyesi için uygundur.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Premiers pas, d’après Millet\"\u003e\n\u003ci style=\"background:#6d91a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8da28d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#c1b596\"\u003e\u003c\/i\u003e\u003ci style=\"background:#6b77a0\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8f7655\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eMavi-gri, açık meşe veya yumuşak kahverengi bir çerçeve, sahneyi duygusal hale getirmeden vurgular.Krem kenar boşluğu zeminin parlak tonlarını hatırlatır.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eMet'in Açık Erişim görüntüsü 1.931 × 1.531 px. yapay büyütme olmadan gerçek bir WebP'ye dönüştürülmüştür.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMillet'e göre ilk adımlar iç mekanınız için boyanmış\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyalı · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594976678114,"sku":"PREMIERS_PAS_D_APR_S_MILLET_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/premiers-pas-van-gogh-met-64-165-2.webp?v=1785225165"},{"product_id":"meridienne-sieste-vincent-van-gogh","title":"La Méridienne veya La Sieste, Millet'den sonra - Vincent van Gogh","description":"\u003cstyle\u003e\n.vg-page{--vg-ink:#181512;--vg-muted:#6e675f;--vg-paper:#f5f0e8;--vg-paper2:#e9dfd2;--vg-white:#fffdf8;--vg-ochre:#a85b2e;--vg-brown:#593a29;--vg-gold:#c59a3e;--vg-blue:#365c75;--vg-line:rgba(24,21,18,.15);color:var(--vg-ink);background:var(--vg-paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}\n.vg-page *{box-sizing:border-box}.vg-page img{display:block;width:100%;height:auto}.vg-page a{color:inherit}.vg-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.vg-section{padding:88px 0}.vg-eyebrow{margin:0 0 12px;color:var(--vg-brown);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.vg-title{max-width:880px;margin:0;font:400 clamp(38px,6vw,70px)\/1 Georgia,'Times New Roman',serif;letter-spacing:-.045em;overflow-wrap:anywhere}.vg-intro{max-width:760px;margin:20px 0 0;color:var(--vg-muted);font-size:17px}.vg-page h3{font-family:Georgia,'Times New 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summary:after{content:'+';position:absolute;right:7px;top:18px;display:grid;width:26px;height:26px;place-items:center;border:1px solid var(--vg-line);border-radius:50%;font:15px Arial,sans-serif}.vg-faq details[open] summary:after{content:'−';color:white;background:var(--vg-ochre)}.vg-faq details p{margin:-5px 42px 21px 0;color:var(--vg-muted);font-size:14px}.vg-final{padding:58px 24px;color:white;background:var(--vg-brown);text-align:center}.vg-final h3{max-width:790px;margin:0 auto 13px;color:white;font-size:clamp(32px,5vw,54px);line-height:1}.vg-final p{max-width:700px;margin:0 auto;color:#eadbce}.vg-final b{display:inline-block;margin-top:20px;padding:11px 18px;color:var(--vg-brown);background:white;border-radius:999px;font-size:12px}\n@media(max-width:920px){.vg-hero-grid,.vg-overview,.vg-product-grid,.vg-deco,.vg-faq{grid-template-columns:1fr}.vg-points,.vg-facts{grid-template-columns:1fr}.vg-benefits{grid-template-columns:repeat(2,1fr)}.vg-benefit:nth-child(2){border-right:0}.vg-benefit:nth-child(-n+2){border-bottom:1px solid rgba(255,255,255,.13)}.vg-stats{grid-template-columns:repeat(2,1fr)}.vg-stat:nth-child(3){border-left:0;border-top:1px solid var(--vg-line)}.vg-stat:nth-child(4){border-top:1px solid var(--vg-line)}.vg-overview,.vg-product-grid,.vg-faq{gap:42px}}\n@media(max-width:620px){.vg-wrap{width:calc(100% - 28px)}.vg-section{padding:64px 0}.vg-hero{padding:48px 0 35px}.vg-hero h2{font-size:52px}.vg-art{padding-left:0}.vg-caption{right:0}.vg-panel,.vg-aside{padding:25px}.vg-benefit{padding:20px 15px}.vg-stat{padding:15px}.vg-table th,.vg-table td{display:block;width:100%;padding:10px 0 0}.vg-table td{padding:0 0 10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Aralık 1889 - Ocak 1890 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eLa Méridienne veya La Sieste\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eBüyük bir değirmen taşının gölgesinde, öğle sıcağında köylü bir çift uyur.Van Gogh, Jean-François Millet'nin bir çizimini turuncu-sarı ve mor-mavi göz kamaştırıcı bir armoniye çevirir.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/meridienne-sieste-van-gogh-orsay-rf1952-17.webp?v=1785225154\u0026amp;format=webp\" alt=\"La Méridienne veya La Sieste, Vincent van Gogh tarafından Millet'den sonra, Musée d'Orsay, RF 1952 17\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eLa Méridienne veya La Sieste\u003c\/strong\u003eVincent van Gogh · Aralık 1889 -Ocak 1890 · Orsay Müzesi, Paris\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eAralık 1889 - Ocak 1890\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73×91 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOrsay Müzesi, Paris\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eBuğdayda öğle yemeği dinlenmesi\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eErkek ve kadın samanların üzerinde yan yana yatarlar.Toynakları, orakları ve bazı iş objeleri ön plana konulur.Uzaklarda, büyük değirmen taşının arkasında bir araba ve öküzler belirir.\u003c\/p\u003e\n\u003cp\u003eMavi giyinmiş figürler neredeyse tamamen sarı bir evrene karşı öne çıkıyor: toprak, kesilmiş buğday ve değirmen taşları Canlı bir açık mavi olan gökyüzü, kıyafetlere tepki veriyor ve sahneyi parlatan tamamlayıcı kontrastı düzenliyor.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh, Millet'nin tüm kırsal detaylarını koruyor, ancak renk günlük durağı bir ışık deneyimine dönüştürüyor.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eMusée d'Orsay'ın Méridienne'i RF 1952 17 envanterini ve F686\/JH1881 referanslarını taşıyor.Darıdan sonra Jacques-Adrien Lavieille tarafından oyulmuş bir ahşabı aktarıyor.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eSarı ve mavi menekşe\u003c\/h3\u003e\n\u003cp\u003eTuval birbirini tamamlayan iki aileye dayanıyor. Sıcak sarılar zemini ve değirmen taşlarını sarıyor; soğuk maviler gökyüzünü ve iki uyuyanın kıyafetlerini birleştiriyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eBir dinlenme köşegeni\u003c\/h3\u003e\n\u003cp\u003eUzatılmış gövdeler değirmen taşının dibinde büyük bir köşegen oluşturur.Bu sakin yön saman yığınının dikeyliğine karşı çıkar ve sahneye dengesini verir.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eÇeviri haline gelen bir kopya\u003c\/h3\u003e\n\u003cp\u003eVan Gogh siyah beyaz bir görüntüden yola çıkar.Besteyi korur, ancak renkleri ve malzemeyi icat eder ve bu çalışmayı bir müzisyenin bir partisyon yorumuyla karşılaştırır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eLa Méridienne, Aralık 1889-Ocak 1890 tarihleri arasında Saint-Rémy'de boyanmış, 73 × 91 cm ölçülerinde tuval üzerine yağlı boya bir tablodur.RF 1952 17 envanterini ve F686\/JH1881 referanslarını taşır.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eModel\u003c\/span\u003e\u003ch3\u003eGünün Dört Saati\u003c\/h3\u003e\n\u003cp\u003eKaynak, Jacques-Adrien Lavieille tarafından oyulmuş bir ahşap aracılığıyla dağıtılan, Millet'nin öğle dinlenmesine adanmış bir çizimine dayanmaktadır.Van Gogh bu reprodüksiyondan çalışmıştır.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerisi\u003c\/span\u003e\u003ch3\u003eMillet'in yirmi bir yorumu\u003c\/h3\u003e\n\u003cp\u003eModellerden yoksun Saint-Rémy'de sanatçı Millet'den sonra yirmi bir beste yapmıştır.Orada başlangıcından beri hayran olduğu köylü jestlerini bulur.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKoleksiyon\u003c\/span\u003e\u003ch3\u003eRF 195217\u003c\/h3\u003e\n\u003cp\u003eEser, 1952 yılında intifaya tabi olarak Bayan Fernand Halphen'in bağışıyla ulusal koleksiyonlara girmiş, ardından 1986 yılında Orsay Müzesi'ne devredilmiştir.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/www.musee-orsay.fr\/fr\/oeuvres\/la-meridienne-750\" target=\"_blank\" rel=\"noopener\"\u003eOrsay Müzesi'nin bildirimine bakın\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eKopya mavi-sarı kontrastı, uyuyan figürlerin yumuşaklığını, taşlama taşlarının dokusunu ve ön plana yerleştirilen küçük aletleri korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eDeğirmen taşının dibinde yatan iki köylü\u003c\/li\u003e\n\u003cli\u003eSarı kamışta mavi-mor giysiler\u003c\/li\u003e\n\u003cli\u003eArka planda araba ve öküzler\u003c\/li\u003e\n\u003cli\u003eÖn planda toynaklar ve oraklar\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eLa Méridienne veya La Sieste\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eAralık 1889 - Ocak 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e73×91 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003eRF 1952 17 · F686 · JH1881\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eOrsay Müzesi, Paris\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eGüneşli, huzurlu ve hemen tanıdık bir sahne\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eAltın sarılar yemek odasını, oturma odasını veya yatak odasını ısıtırken, maviler dengeyi korur. Tuval bal ağacı, keten ve krem duvarlarla eşleşir.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de La Méridienne ou La Sieste\"\u003e\n\u003ci style=\"background:#d1a92e\"\u003e\u003c\/i\u003e\u003ci style=\"background:#ad7d22\"\u003e\u003c\/i\u003e\u003ci style=\"background:#7188a4\"\u003e\u003c\/i\u003e\u003ci style=\"background:#384f72\"\u003e\u003c\/i\u003e\u003ci style=\"background:#d8c68a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eGece mavisi bir çerçeve, kıyafetleri ve gökyüzünü vurgular; gizli kahverengi veya altın rengi ahşap, değirmen taşlarını uzatır. Buğday malzemesiyle rekabet edebilecek aşırı yoğun kalıplamalardan kaçının.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003e2331 × 1824 px'in renkli fotoğrafı, yapay büyütme olmadan gerçek bir WebP'ye dönüştürüldü.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eLa Méridienne veya La Sieste, iç mekanınız için boyanmış\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyaması · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594977693922,"sku":"LA_M_RIDIENNE_50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/meridienne-sieste-van-gogh-orsay-rf1952-17.webp?v=1785225154"},{"product_id":"matin-travail-apres-millet-vincent-van","title":"Millet - 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10px}}\n\u003c\/style\u003e\n\n\u003cdiv class=\"vg-page\" data-vangogh-rebuild=\"1\"\u003e\n  \u003csection class=\"vg-hero\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cdiv class=\"vg-hero-grid\"\u003e\n      \u003cdiv\u003e\n        \u003cp class=\"vg-eyebrow\"\u003eVincent van Gogh · Ocak 1890 · Saint-Rémy-de-Provence, Fransa\u003c\/p\u003e\n        \u003ch2\u003eMillet'e göre sabah işteyiz\u003cem\u003eTuval üzerine yağlı boya resmin çoğaltılması\u003c\/em\u003e\n\u003c\/h2\u003e\n        \u003cp class=\"vg-lead\"\u003eŞafak vakti köylü bir çift tarlalara doğru yürür: kadın bir eşeğin üzerinde oturur, adam onun yanında yürür, omzunda aletler vardır Van Gogh Millet'den sonra siyah beyaz bir baskıyı sarı, mavi ve mor bir sahneye dönüştürür.\u003c\/p\u003e\n        \u003cdiv class=\"vg-pills\"\u003e\n\u003cspan class=\"vg-pill\"\u003eEl boyalı\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eTuval üzerine yağlıboya\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eDoğrulanmış bir WebP görüntüsü\u003c\/span\u003e\u003cspan class=\"vg-pill\"\u003eFotoğraf doğrulama\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n      \u003cfigure class=\"vg-art\"\u003e\n        \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-au-travail-apres-millet-van-gogh-hermitage.webp?v=1785221573\u0026amp;format=webp\" alt=\"Sabah, işte, Millet'den sonra, Vincent van Gogh, Hermitage Müzesi\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\n        \u003cfigcaption class=\"vg-caption\"\u003e\u003cstrong\u003eMillet'e göre sabah işteyiz\u003c\/strong\u003eVincent van Gogh · Ocak 1890 · Ermitaj Müzesi, Saint Petersburg\u003c\/figcaption\u003e\n      \u003c\/figure\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-stats\"\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eOcak 1890\u003c\/strong\u003e\u003cspan\u003eArkadaşlık\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003e73×92 cm\u003c\/strong\u003e\u003cspan\u003eOrijinalin boyutları\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eTuval üzerine yağlıboya\u003c\/strong\u003e\u003cspan\u003eOrijinal teknik\u003c\/span\u003e\n\u003c\/div\u003e\n      \u003cdiv class=\"vg-stat\"\u003e\n\u003cstrong\u003eHermitage Müzesi, St. Petersburg\u003c\/strong\u003e\u003cspan\u003eKoruma\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n  \u003cdiv class=\"vg-benefits\"\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eGerçek bir tablo\u003c\/b\u003e\u003cspan\u003eTuval elle boyanmıştır, asla basılmamıştır.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eSipariş üzerine yapılmış\u003c\/b\u003e\u003cspan\u003eHer kopya ayrı ayrı oluşturulur.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eFotoğrafta kontrol edilir\u003c\/b\u003e\u003cspan\u003eGöndermeden önce tamamlanmış tabloyu incelersiniz.\u003c\/span\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-benefit\"\u003e\n\u003cb\u003eOlası değişiklikler\u003c\/b\u003e\u003cspan\u003eAyarlamalar gönderimden önce yapılabilir.\u003c\/span\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-overview\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eİşe bak\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eErken kalkış bir ışık geçişine dönüşür\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-copy\"\u003e\n\u003cp\u003eEşek ve köylü kadın sol orta kısmı işgal eder Sarı şapka giyen adam kürek ve diğer aletlerle sağa doğru yürür.Sade profilleri tarlayı kaplayan kalın malzemeye rağmen okunabilir kalır.\u003c\/p\u003e\n\u003cp\u003eAlçak güneş kadının arkasında soluk bir disk gibi görünür.Neredeyse beyaz gökyüzü küçük mavi kuluçkalarla kaplıdır; yerde sarılar, portakallar ve morlar eğik bantlar halinde kesişir.Solda ufuk boyunca minik bir sürü koşar.\u003c\/p\u003e\n\u003cblockquote class=\"vg-quote\"\u003eVan Gogh, Millet'nin çizimini kopyalamakla kalmıyor: soğuk sabah havasını, ortaya çıkan güneşi ve tarlanın dokusunu renklendirerek icat ediyor.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-dark\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eKompozisyon, dokunma ve renk\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eBu tabloya özgü üç gözlem\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003e↔КАса-532 eseri, eşek eşliğinde çift, kadının arkasına yerleştirilen dairesel güneş ve beyaz-mavi bir gökyüzünün altındaki geniş sarı düzlük tarafından tanınabilir.\u003c\/p\u003e\n    \u003cdiv class=\"vg-points\"\u003e\n\u003carticle class=\"vg-point\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003ch3\u003eBir renk çevirisi\u003c\/h3\u003e\n\u003cp\u003eMillet'den sonra çoğaltılan model ağırlıklı olarak çizgiler ve değerler sağlamıştır.Van Gogh sahneye zaman, ışık ve sıcaklık vermek amacıyla sarıları, mavileri ve morları kendisi düzenler.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003ch3\u003eÇaprazlarda yazılı yürüyüş\u003c\/h3\u003e\n\u003cp\u003eAletlerin sapı, adamın kolu ve oluklar sağa doğru eğilir.Bu yönler çiftin tarladaki hareketine eşlik eder.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-point\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003ch3\u003eKlasik modeli olmayan bir ışık\u003c\/h3\u003e\n\u003cp\u003eGüneş neredeyse düz bir disk olarak kalır.Varlığı gerçekçi bir ışık ve gölge eğiminden ziyade zeminin sarı dokunuşlarıyla yayılır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap\"\u003e\n    \u003cp class=\"vg-eyebrow\"\u003eBelgelenmiş kıyaslamalar\u003c\/p\u003e\n    \u003ch2 class=\"vg-title\"\u003eOrijinal çalışmayı tam olarak tanımlayın\u003c\/h2\u003e\n    \u003cp class=\"vg-intro\"\u003eHermitage Müzesi, ̄ultiesrivса-532 envanterinin altında 73 × 92 cm ölçülerindeki bu tuval üzerine yağlıboya muhafaza etmektedir.Ocak 1890'da Saint-Rémy'de boyanmış, F684 ve JH1880 kataloglarına karşılık gelmektedir.\u003c\/p\u003e\n    \u003cdiv class=\"vg-facts\"\u003e\n\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKaynak\u003c\/span\u003e\u003ch3\u003eJean-François Millet'e göre\u003c\/h3\u003e\n\u003cp\u003eKompozisyon, Millet'nin Günün Anları serisinden bir görüntü olan Le Départ pour le travail'i ele alıyor Van Gogh, basılı reprodüksiyonu bağımsız bir tabloya dönüştürüyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eSerisi\u003c\/span\u003e\u003ch3\u003eGünün saatlerinde altı tablo\u003c\/h3\u003e\n\u003cp\u003eOcak 1890 tarihli bir mektupta Van Gogh, altı resimden oluşan bir seti tamamlamak için Millet'e ilişkin son yorumlarının renklerinin düzenlenmesi üzerinde çalıştığını açıklıyor.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"vg-fact\"\u003e\u003cspan\u003eKanıt\u003c\/span\u003e\u003ch3\u003eEski Otto Krebs koleksiyonu\u003c\/h3\u003e\n\u003cp\u003eEser Alman sanayici Otto Krebs'e aitti.Bugün Kiril karakterli envanter numarasıyla Hermitage'de saklanmaktadır.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n    \u003ca class=\"vg-source\" href=\"https:\/\/commons.wikimedia.org\/wiki\/Category:Peasant_Couple_Going_to_Work\" target=\"_blank\" rel=\"noopener\"\u003eEnvanter verilerini ve F684 referanslarını görüntüleyin\u003c\/a\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section vg-product\"\u003e\u003cdiv class=\"vg-wrap vg-product-grid\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eÜremeni\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eRessamın koruması gereken\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eRessam, figürlerin sağlam tasarımını, çok berrak gökyüzünün kontrastını ve çifti ileriye taşıyan sıkı sarı ve menekşe ağını korumalıdır.\u003c\/p\u003e\n      \u003cul class=\"vg-focus\"\u003e\n\u003cli\u003eKöylü kadının arkasına yerleştirilmiş güneş diski\u003c\/li\u003e\n\u003cli\u003eKahverengi eşek ve ortasındaki mavi yükü\u003c\/li\u003e\n\u003cli\u003eAdamın silueti ve eğik aletleri\u003c\/li\u003e\n\u003cli\u003eÖn plandaki sarı, turuncu ve mor oluklar\u003c\/li\u003e\n\u003c\/ul\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"vg-panel\"\u003e\n      \u003ch3\u003eÇalışma sayfası\u003c\/h3\u003e\n      \u003ctable class=\"vg-table\"\u003e\u003ctbody\u003e\n        \u003ctr\u003e\n\u003cth\u003eBaşlık\u003c\/th\u003e\n\u003ctd\u003eMillet'e göre sabah işteyiz\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eSanatçı\u003c\/th\u003e\n\u003ctd\u003eVincent van Gogh (1853 -1890)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eTarih\u003c\/th\u003e\n\u003ctd\u003eOcak 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eYaratılış yeri\u003c\/th\u003e\n\u003ctd\u003eSaint-Rémy-de-Provence, Fransa\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eOrijinal teknik\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine yağlıboya\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eBoyutlar\u003c\/th\u003e\n\u003ctd\u003e73×92 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eEnvanter\u003c\/th\u003e\n\u003ctd\u003ēКАса-532 · F684 · JH1880\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eKoruma\u003c\/th\u003e\n\u003ctd\u003eHermitage Müzesi, St. Petersburg\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003cth\u003eÜremeni\u003c\/th\u003e\n\u003ctd\u003eTuval üzerine el yapımı yağlı boya\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\u003c\/table\u003e\n      \u003ch3 style=\"margin-top:31px\"\u003eSiparişten nakliyeye\u003c\/h3\u003e\n      \u003cdiv class=\"vg-steps\"\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e1\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eHazırlama\u003c\/b\u003e\u003cspan\u003eÇerçeveleme, oranlar ve renklerin incelenmesi.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e2\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eYağlı boya\u003c\/b\u003e\u003cspan\u003eManuel üretim, katman katman.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e3\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eFotoğraf doğrulama\u003c\/b\u003e\u003cspan\u003eTabloyu kontrol etmek ve olası değişiklikleri talep etmek.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n        \u003cdiv class=\"vg-step\"\u003e\n\u003ci\u003e4\u003c\/i\u003e\u003cdiv\u003e\n\u003cb\u003eKorumalı nakliye\u003c\/b\u003e\u003cspan\u003eTakip ile dikkatli paketleme ve nakliye.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\"\u003e\u003cdiv class=\"vg-wrap vg-deco\"\u003e\n    \u003cdiv\u003e\n      \u003cp class=\"vg-eyebrow\"\u003eİçinizde\u003c\/p\u003e\n      \u003ch2 class=\"vg-title\"\u003eMavinin altını dengelediği parlak bir sahne\u003c\/h2\u003e\n      \u003cp class=\"vg-intro\"\u003eGeniş yatay format bir kanepe, konsol veya masanın üzerinde uygundur. Sıcak sarı odayı aydınlatırken, kıyafetlerden ve gökyüzünden gelen mavi net bir tazelik getirir.\u003c\/p\u003e\n      \u003cdiv class=\"vg-palette\" aria-label=\"Palette inspirée de Matin, au travail, d’après Millet\"\u003e\n\u003ci style=\"background:#d5a72d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e5c75a\"\u003e\u003c\/i\u003e\u003ci style=\"background:#697aa2\"\u003e\u003c\/i\u003e\u003ci style=\"background:#8d6447\"\u003e\u003c\/i\u003e\u003ci style=\"background:#e9e7dc\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003caside class=\"vg-aside\"\u003e\u003ch3\u003eGeliştirme tavsiyesi\u003c\/h3\u003e\n\u003cp\u003eKompozisyonu gece mavisi, orta kahverengi veya mat bronz bir çerçeve yapılandırır. Yumuşak, yanal bir ışık, soluk gökyüzünü ezmeden maddenin geçişlerini ortaya çıkarır.\u003c\/p\u003e\u003c\/aside\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003csection class=\"vg-section\" style=\"background:#faf7f2\"\u003e\u003cdiv class=\"vg-wrap vg-faq\"\u003e\n    \u003cdiv\u003e\n\u003cp class=\"vg-eyebrow\"\u003eSık sorulan sorular\u003c\/p\u003e\n\u003ch2 class=\"vg-title\"\u003eSipariş vermeden önce\u003c\/h2\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"vg-faq-list\"\u003e\n      \u003cdetails open=\"\"\u003e\u003csummary\u003eBu bir tuval baskısı mı?\u003c\/summary\u003e\u003cp\u003eNo. Her reprodüksiyon tuval üzerine yağlı boya ile elle boyanır Fırça darbeleri ve malzeme varyasyonları nihai sonuca aittir.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGörsel referans nasıl seçilir?\u003c\/summary\u003e\u003cp\u003eEserin fotografik reprodüksiyonu 3.864 × 3.090 px. boyutlarında tek başına resimsel alanında kırpıldı ve ardından 3.000 × 2.399 px'lik gerçek bir WebP'ye hazırlandı.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eGöndermeden önce sonucu kontrol edebilir miyim?\u003c\/summary\u003e\u003cp\u003eEvet. Bitmiş tablonun fotoğrafları size gönderilir; Gönderiyi doğrulamadan önce değişiklik talebinde bulunabilirsiniz.\u003c\/p\u003e\u003c\/details\u003e\n      \u003cdetails\u003e\u003csummary\u003eÖzel formatlar mümkün mü?\u003c\/summary\u003e\u003cp\u003eEvet. Orijinal kompozisyonun oranlarını ve dengesini korurken format duvarınıza uyarlanabilir.\u003c\/p\u003e\u003c\/details\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\u003c\/section\u003e\n\n  \u003cfooter class=\"vg-final\"\u003e\u003ch3\u003eMillet'e göre sabah işteyken iç mekanınız için boyanmış\u003c\/h3\u003e\n\u003cp\u003eTuval üzerine ayrı ayrı yapılmış, fotoğraflarla doğrulanmış ve gönderilmeden önce ayarlanabilir yağlıboya reprodüksiyonu.\u003c\/p\u003e\n\u003cb\u003eEl boyaması · Tuval üzerine yağlıboya · Fotoğraf doğrulama\u003c\/b\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Keşif Formatı (50 x 60 cm)","offer_id":46594983002338,"sku":"MATIN_AU_TRAVAIL_APR_S_MILLET__50x60","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/matin-au-travail-apres-millet-van-gogh-hermitage.webp?v=1785221573"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/collections\/le-semeur-d-apres-millet-vincent-van-gogh-image-1-reproduction-huile.jpg?v=1784003724","url":"https:\/\/tr.alphareproduction.com\/collections\/van-gogh-d-sonrasi-dari.oembed","provider":"Alpha Reproduction","version":"1.0","type":"link"}